Mary Heilmann

Lives and works in New York NY

Dia Beacon, 'Mary Heilmann: Starry Night', Beacon NY

303 Gallery, 'Daydream', New York NY 

Jan Shrem and Maria Manetti Shrem Museum of Art, 'Mary Heilmann: Squaring Davis', Davis CA

Pace Prints Chelsea, 'Mary Heilmann', New York NY

Hauser & Wirth, 'Mary Heilmann. Highway, Oceans, Daydreams', Southampton NY

Hauser & Wirth Los Angeles, 'Memory Remix', Los Angeles CA

Dan Flavin Art Institute, 'Mary Heilmann. Painting Pictures', Bridgehampton NY

Craig F. Starr Gallery, 'RYB. Mary Heilmann Paintings, 1975-78', New York NY

Whitechapel Gallery, 'Mary Heilmann. Looking at Pictures', London, England

303 Gallery, 'Mary Heilmann. Geometrics. Waves, Roads, etc.', New York NY

Whitney Museum of American Art, ‘Mary Heilmann. Sunset’, New York NY

Hamburger Bahnhof – Museum für Gegenwart, 'Mary Heilmann & David Reed. Two by Two', Berlin, Germany

Kunstmuseum Bonn, 'Mary Blinky Yay', Bonn, Germany Neues Museum Nürnberg, 'Mary Heilmann. Good Vibrations', Nuremberg, Germany (Travelling Exhibition)

Häusler Contemporary, 'Mary Heilmann. Another Green World', Munich, Germany

Bonnefantenmuseum, 'Mary Heilmann. Good Vibrations', Maastricht, The Netherlands

Hauser & Wirth London, 'Mary Heilmann. Visions, Waves and Roads', London, United Kingdom

Galerie Barbara Weiss, ‘Home Sweet Home’, Berlin, Germany

Museum Ludwig, 'Weather Report: Drawings and Prints', Cologne, Germany

303 Gallery, 'Two-Lane Blacktop', New York NY

Zwirner & Wirth New York, 'Some Pretty Colors', New York NY

New Museum of Contemporary Art, 'Mary Heilmann: To Be Someone', New York NY (Travelling Exhibition)

Wexner Center for the Arts, 'Mary Heilmann: To Be Someone', Columbus OH (Travelling Exhibition)

Orange County Museum, 'Mary Heilmann: To Be Someone', Newport Beach CA (Travelling Exhibition)

CAMH - Contemporary Art Museum Houston, 'Mary Heilmann: To Be Someone', Houston TX (Travelling Exhibition)

Hauser & Wirth Zürich, 'Saturday Night Kiss', Zurich, Switzerland

Crown Point Gallery, 'Mary Heilmann: New Etchings', San Francisco CA

303 Gallery, 'Heaven & Hell', New York NY

Hauser & Wirth London, 'Mary Heilmann', London, England

Secession, 'Mary Heilmann: All Tomorrow's Parties', Vienna, Austria

Douglas Hyde Gallery, Trinity College, 'Mary Heilmann. The Architecture of Heaven', Dublin, Ireland

American Fine Arts, 'Mary Heilmann', New York NY

Kenny Schachter Gallery, 'Mary Heilmann: Home', New York NY

Hauser & Wirth Zürich, 'Mary Heilmann', Zurich, Switzerland

Galerie Meyer Kainer, 'Mary Heilmann', Vienna, Austria

Camden Arts Centre, 'Mary Heilmann', London, England

Oldenburger Kunstverein, 'Mary Heilmann. Malerei', Oldenburg, Germany

Kunstmuseum St. Gallen, 'Mary Heilmann – Jessica Stockholder', St. Gallen, Switzerland

Galerie Vera Munro, 'Mary Heilmann', Hamburg, Germany

Hauser & Wirth Zürich, 'The All Night Movie', Zurich, Switzerland

Pat Hearn Gallery, 'Mary Heilmann. Paintings', New York NY

Johnson County Community College, 'Mary Heilmann: Selected Works, 1978-1998', Overland Park KS

Richard Telles Gallery, 'Mary Heilmann', Los Angeles CA

Stiftung für konstruktive und konkrete Kunst, 'Mary Heilmann. This and That', Zurich, Switzerland

Hauser & Wirth Zürich, 'Mary Heilmann. Paintings 1973-1997', Zurich, Switzerland

Wolfgang Häusler, 'Modern Art: Paintings and Papers', Munich, Germany Galerie Stadtpark, 'Mary Heilmann', Krems, Austria

Pat Hearn Gallery, 'Works on Paper', New York NY Zeno X Gallery, 'Mary Heilmann', Antwerp, Belgium

Beaver College Art Gallery, 'Mary Heilmann: Paintings, Drawings, Ceramics', Glenside PA

M Gallery Bochum Kunstvermittlung, 'Works 1971-1994', Bochum, Germany

Pat Hearn Gallery, 'Greatest Hits', New York NY

San Francisco Art Institute, Walter/McBean Gallery, San Francisco CA

Pat Hearn Gallery, 'Mary Heilmann', New York NY

Pat Hearn Gallery, 'Mary Heilmann', New York NY Green Gallery, 'Mary Heilmann', Bay Harbor Islands FL

Galerie Isabella Kacprzak, 'Mary Heilmann und Jessica Stockholder', Cologne, Germany

Institute of Contemporary Art, 'Mary Heilmann: A Survey', Boston MA

Fuller Gross Gallery, 'Mary Heilmann', San Francisco CA

Robbin Lockett Gallery, 'Mary Heilmann', Chicago IL

Pat Hearn Gallery, 'Mary Heilmann', New York NY

Gallery Mukai, 'Mary Heilmann', Tokyo, Japan

Pat Hearn Gallery, 'Mary Heilmann', New York NY

Hillman Holland Gallery, 'Mary Heilmann', Atlanta GA

Pat Hearn Gallery, 'Mary Heilmann', New York NY

Clocktower, 'Mary Heilmann', New York NY

Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA

Holly Solomon Gallery, 'Mary Heilmann. Recent Works', New York NY

Holly Solomon Editions, 'Mary Heilmann. Ceramics', New York NY

Galerie Hans Strelow, 'Mary Heilmann', Düsseldorf, Germany

Galleri Wallner Fersens, 'Mary Heilmann', Malmö, Sweden

Holly Solomon Gallery, 'Paintings', New York NY

Daniel Weinberg Gallery, 'Mary Heilmann', San Francisco CA

Holly Solomon Gallery, ' New Paintings', New York NY

Holly Solomon Gallery, 'The Vent Series', New York NY

Holly Solomon Gallery, 'Mary Heilmann', New York NY

State University of New York, 'Mary Heilmann', Stony Brook NY

Henri Gallery, 'Mary Heilmann', Washington DC

Paley & Lowe Gallery, 'Mary Heilmann', New York NY

Paley & Lowe Gallery, 'Mary Heilmann', New York NY

Whitney Museum Art Resource Center, 'Mary Heilmann', New York NY

Zeno X Gallery, 'Soul Mapping', Antwerp, Belgium
The Shah Garg Foundation, 'Making Their Mark', New York NY
Hauser & Wirth, 'Two Pieces in the Shape of a Pear', Southampton NY

Tripoli Gallery, 'American History', Wainscott NY Hauser & Wirth, 'Escape', Southampton NY

Milwaukee Art Museum, '50 Paintings', Milwaukee WI

Hauser & Wirth Somerset, 'GRUPPENAUSSTELLUNG', Bruton, UK

Kunstmuseum Wolfsburg, 'Re-Inventing Piet. Mondrian und die Folgen', Wolfsburg, Germany

Gagosian, 'To bend the ear of the outer world—Conversations on Contemporary Abstract Painting', London, UK

GRAY New York, 'GRAY at 60', New York NY

Resnick Passlof Foundation, 'The Feminine in Abstract Painting', cur. Andrea Belag and Jennifer Samet, New York NY

The Aldrich Contemporary Art Museum, '52 Artists: A Feminist Milestone', Ridgefield CT

Hauser & Wirth, 'Chromophilia', Zürich, Switzerland Museum Haus Konstruktiv, 'Geometric Opulence', Zürich, Switzerland

Alexander Berggruen, 'Shapes', New York NY

Hauser & Wirth, 'Artists for New York' New York NY

TMC International, 'Frankenstein', Sag Harbor NY

Tripoli Gallery, 'WAVY. Sabra Moon Elliot & Mary Heilmann', Southampton NY

Hessel Museum of Art, 'The Conditions of Being Art: Pat Hearn Gallery and American Fine Arts, Co. (1983-2004)', Annandale-on-Hudson New York

Hauser & Wirth Los Angeles, ‘Portable Art. A Project by Celia Forner’, Los Angeles CA (Travelling Exhibition)

National Gallery of Art, 'Outliers and American Vanguard Art', Washington DC

Hall Art Foundation, Schloss Derneburg Museum, 'Für Barbara', (cur. Leo Koenig), Derneburg, Germany

Victoria Miro, 'Surface Work', London, United Kingdom

Rental Gallery, 'Color People', East Hampton NY

Mary Mary, 'Curve of a hill like the curve of a green shoulder', Glasgow, Scotland

Galerie Proarta, 'Hommages aux Femmes', Zürich, Switzerland

Hauser & Wirth, ‘Portable Art. A Project by Celia Forner’, New York NY (Travelling Exhibition)

American Academy of Arts and Letters, '2017 Exhibition of Work by New Members and Award Winners', New York NY

Jaeckel Gallery, ’Last Picture Show’, New York NY

Pulitzer Arts Foundation, ’Blue Black’, St. Louis MO

Southampton Arts Center, ’A Sense of Place’, Southampton NY

Whitney Museum of American Art, ’Fast Forward: Painting from the 1980s’, New York NY

Sperone Westwater, ’Splotch’, New York NY

Wilding Cran Gallery, ‘TRI(…ed): Revisiting TRI Gallery’, Los Angeles CA

Kunstsammlung Nordrhein-Westfalen, ‘Henkel — The Art Collection’, Düsseldorf, Germany

Crown Point Press, ‘John Zurier and Friends’, San Francisco CA

Crown Point Press, ’Summer Choices: A Group Exhibition’, San Francisco CA

Crown Point Press, ’Winter Group Show’, San Francisco CA

Museum Brandhorst, ‘Painting 2.0: Expression in the Information Age’, Munich, Germany

Greene Naftali, ‘Work on Paper’, New York NY

TBD, ‘Gargle/Spit’, New York NY

Parrish Art Museum, ‘The Permanent Collection: Connections and Context’, Watermill NY

Ille Arts, 'Oceans Eleven', Amagansett, NY

The Warehouse, 'Geometries On and Off the Grid: Art from 1950 to the Present', Dallas TX

Villa Reale's Galleria d'Arte Moderna, 'Don't Shoot the Painter – UBS Art Collection', Milan, Italy

OMI International Arts Center, 'The Crayon Miscellany', Ghent, NY

David Zwirner, 'Painting on Paper', New York NY

Pavel Zoubok Gallery, 'Hooray for Hollywood! In collaboration with Mixed Greens', New York NY

DODGE Gallery, 'Age of Small Things', New York NY

CB1 Gallery, 'Capture the Rapture', Los Angeles CA

Bonnefantenmuseum, 'Beating around the bush. Episode #2', Maastricht, The Netherlands Edgewood Gallery, Yale University, 'Reliable Tension - In Re:', New Haven, CT

Equinox Gallery, 'Persian Rose Chartreuse Muse Vancouver Grey', Vancouver, Canada

Lori Bookstein Fine Art, 'Speaking Through Paint: Hans Hofmann’s Legacy Today', New York, NY

Halsey McKay Gallery, 'Paint On, Paint Off', East Hampton NY

Columbus College of Art and Design, 'My Crippled Friend', Columbus OH

Martos Gallery, 'Lat. 41 7' N. Long 72 19' W.', East Marion, NY

Cheim&Read, 'Reinventing Abstraction', New York, NY

Hamburger Kunsthalle, 'Alice in the Wonderland of Art', Hamburg, Germany (Travelling Exhibition)

MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, 'Alice in Wonderland', Rovereto, Italy (Travelling Exhibition)

Museum im Kulturspeicher, 'Aufbruch – Malerei und realer Raum', Wurzburg, Germany (Travelling Exhibition)

Kunsthalle Rostock, 'Aufbruch – Malerei und realer Raum', Rostock, Germany

Christie's, 'We had to destroy it in order to save it. Painting in New York in the 1970's', New York NY

Ille Arts, 'Seating Arrangements', Amagansett NY

Martos Gallery, 'Creature from the Blue Lagoon', Bridgehampton NY

Anton Kern Gallery, 'It’s Always Summer on the Inside', New York NY

Eleven Rivington, 'Braman, Buren, Falls, Heilmann, Louis and Thurman', New York NY

The Fireplace Project, 'Inside Outsiders: Mary Heilmann and Friends', East Hampton NY

The Suburban, 'Jacci Den Hartog + Mary Heilmann', Oak Park IL

Thomas Solomon Gallery, 'Architechtural Dispositions', Los Angeles CA

Museum of Contemporary Art, 'Phantom Limb: Approaches to Painting Today', Chicago IL

JiM Contemporani, 'Mind Head', Barcelona, Spain

Institute of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Boston MA (Travelling Exhibition)

Walker Art Center, 'This Will Have Been: Art, Love, and Politics in the 1980s', Minneapolis MN (Travelling Exhibition)

MCA Museum of Contemporary Art, 'This Will Have Been: Art, Love, and Politics in the 1980s', Chicago IL (Travelling Exhibition)

Mead Gallery, Warwick Arts Centre, 'The Indiscipline of Painting', Coventry, England (Travelling Exhibition)

Stavanger Kunstmuseum, 'Sidetracks - Painting in the Paramodern Continuum', Stavanger, Norway

Tate Liverpool, 'Alice in Wonderland', Liverpool, United Kingdom (Travelling Exhibition)

New Museum, 'After Hours. Murals on the Bowery', New York NY

Kunstsammlungen der Ruhr-Universität Bochum, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Bochum, Germany (Travelling Exhibition)

mpk, Museum Pfalzgalerie, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Kaiserslautern, Germany (Travelling Exhibition)

Akademie der Künste Berlin, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Berlin, Germany (Travelling Exhibition)

Museum im Kulturspeicher, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)', Würzburg, Germany (Travelling Exhibition)

Kunsthalle Rostock, 'Aufbruch: Malerei und realer Raum, Situation Kunst (für Max Imdahl)' Germany (Travelling Exhibition)

Tate St.Ives, 'The Indiscipline of Painting: International Abstraction from the 1960s to Now', St Ives, England (Travelling Exhibition)

Martos Gallery, 'The 2011 Bridgehampton Biennial', Bridgehampton NY

Harris Liebermann, 'A Painting Show’, New York NY

Salomon Contemporary, '112 Greene Street: A Nexus of Ideas in the Early 70s', New York NY

Lehmann Maupin, 'The Parallax View', New York NY

Salon 94 Bowery , 'Paul Clay', New York NY

The Dayton Art Institute, 'Creating the New Century: Contemporary Art from the Dicke Collection', Dayton OH

Sarah Gavlak Gallery, 'Think Pink', Palm Beach FL

Hessel Museum of Art & CCS Galleries, 'At home / Not at home: Works from the Collection of Martin and Rebecca Eisenberg', Annandale-on-Hudson NY

SFMoMA San Francisco Museum of Modern Art, 'The More Things Change', San Francisco CA

Kunstmuseum St. Gallen, 'AMBIGU - Malerei im Zwischenbereich/Painting between Abstraction and Narration', St. Gallen, Switzerland

Artpace, 'On the Road', San Antonio TX

De Markten, 'For Your Eyes Only', Brussels, Belgium

Zurcher Studio, 'Devotion', New York NY

Nicole Klagsbrun Gallery, 'Lean', New York NY

Bemis Center for Contemporary Art, 'Borderland Abstraction', Omaha NE

Silas Marder Gallery, 'The Big Show 5', Bridgehampton NY

Metro Pictures, Friedrich Petzel Gallery, and Nyehaus, 'Swell: Art 1950-2010', New York NY

Art Institute of Chicago, 'Contemporary Collecting: The Donna and Howard Stone Collection', Chicago IL

Vera Munro, 'High Ideals & Crazy Dreams', Hamburg, Germany

7Eleven Gallery, 'Make Yourself at Home', New York NY

De Markten, 'For Your Eyes Only', Brussels, Belgium

Four Seasons Resort, 'Think Pink!', Palm Beach FL

Rose Burlingham and Turtle Point Press, 'A Two Gallery Teacup Show: Drawings, Paintings, Collage, Sculpture and Poetry', New York NY

The Parrish Art Museum, 'Mixed Greens: Artists Choose Artists on the East End', Southampton NY

Art Since the Summer of 69', 'Objects, Furniture, and Patterns', New York NY

Marianne Boesky Gallery, 'Your Gold Teeth II', New York NY

Ross School Gallery, 'Spectrum', Bridgehampton NY

Whitechapel Gallery, 'Social Sculpture', London, UK

Acme, 'The Ballad That Becomes an Anthem', Los Angeles CA

303 Gallery, 'Mary's Choice', New York NY

Hammer Museum, 'Oranges and Sardines: Conversations on Abstract Painting', Los Angeles CA

Rhona Hoffman Gallery, 'Angels in America', Chicago IL

Thomas Ammann Fine Art, 'Abstract Vision', Zurich, Switzerland

Whitney Museum of American Art, 'Whitney Biennial 2008', New York NY

Pace Editions 57th Street, 'New Editions', New York NY

Pace Editions Chelsea, 'Heilmann / Berkenblit', New York NY

Matthew Marks Gallery and Greene Naftali Gallery, 'Painting: Now and Forever, Part II', New York NY

Museum Moderner Kunst Kärnten, 'Abstrakt Abstract', Klagenfurt, Austria Rose Art Museum at Brandeis, 'Arp to Reinhardt: Rose Geometries', Waltham MA

P.S.1 Contemporary Art Center, 'WACK! Art and the Feminist Revolution', Long Island NY (Travelling Exhibition)

ZKM – Zentrum für Kunst und Medientechnologie, 'High Times, Hard Times. New York Painting 1967-1975', Karlsruhe, Germany (Travelling Exhibition)

Dinter Fine Art, 'How to Cook a Wolf'', New York NY

Crown Point Press, 'Abstract Mash-Up', San Francisco CA

China Art Objects at Cottage Home, 'Emerson vs Nietzsche', Los Angeles CA

Royal Academy of Arts, 'Royal Academy Illustrated 2008', London, England

Gallery m Bochum. 'Out of the Blue', Bochum, Germany

Spanierman Modern, 'Present Tense', New York NY

The Fireplace Project, 'The Annual Hampton Show', East Hampton NY

Silas Marder Gallery, 'The Big Show 3', Bridgehampton NY

Johann König, 'Zuordnungsprobleme', Berlin, Germany

Oud Vliegveld, 'The Art of the Real', Oostende, Belgium

Hudson D. Walker Gallery, Fine Arts Work Center, 'Massart Faculty Show', Provincetown MA

Contemporary Art Center of Virginia, 'Counterparts', Virginia Beach VA

Parks Exhibition Center, 'Painting's Edge', Idyllwild Arts CA

Galerie Thomas Flor, 'Short Distance To Now', Dusseldorf, Germany

Henie Onstad Centre of Art, 'Nordea's art collection', Hovikodden, Norway

Kunstraum Innsbruck, 'Franz West, Soufflé – eine Massenausstellung', Innsbruck, Austria Honor Fraser, 'Hovering Over the Universe …' (cur. by Kristin Calabrese), Venice CA

Barbara Gladstone Gallery, 'Makers and Modelers: Works in Ceramic', New York NY

David Zwirner, 'A Point in Space is a Place for an Argument', New York NY

303 Gallery, 'Three for Society', New York NY

de Pury & Luxembourg, 'Painting as Fact-Fact as Fiction', Zurich, Switzerland

Honor Fraser, 'Group Show', Venice CA

Galerie Mezzanin, 'Humberto Duque, Mary Heilmann, David Korty, Marzena Nowak, Isa Schmidlehner, Christian Schmidt-Rasmussen', Vienna, Austria

Museum of Contemporary Art, 'WACK! Art and the Feminist Revolution', Los Angeles CA (Travelling Exhibition)

National Museum of Women in the Arts, 'WACK! Art and the Feminist Revolution', Washington DC (Travelling Exhibition)

Vancouver Art Gallery, 'WACK! Art and the Feminist Revolution', Vancouver, Canada (Travelling Exhibition)

Millenium Galleries, 'Abstraction: Extracting from the World', Sheffield, England

National Academy Museum, 'High Times, Hard Times. New York Painting 1967-1975', New York NY (Travelling Exhibition)

Museo Tamayo Arte Contemporaneo, 'High Times, Hard Times. New York Painting 1967-1975', Mexico City, Mexico (Travelling Exhibition)

Neue Galerie Graz am Landesmuseum Joanneum, 'High Times, Hard Times. New York Painting 1967-1975', Graz, Austria (Travelling Exhibition)

Museo d`Arte Moderna, Chère Louise: in onore di Louise Bourgeois per il suoi 95 anni', Ascona, Switzerland

Zeno X Gallery, '25 years Zeno X', Antwerp, Belgium

Greenberg Van Doren Gallery, 'Woman's work. Large Scale Paintings 1970-1990', New York NY

Weatherspoon Art Museum, 'High Times, Hard Times. New York Painting 1967-1975', Greensboro NC (Travelling Exhibition)

American University Museum, Katzen Arts Center, 'High Times, Hard Times. New York Painting 1967-1975', Washington, DC (Travelling Exhibition)

Crown Point Press, 'Seasons Club July 2006', San Francisco CA

Villa Manin Centre for Contemporary Art, 'Infinite Painting. Contemporary Painting and Global Realism', Codroipo (Udine), Italy

P.S.1 Contemporary Art Center, 'The Painted World', Long Island City NY

White Columns, 'The Early Show', New York NY

Gavin Brown’s Enterprise, 'Drunk vs. Stoned 2', New York NY

Häusler Contemporary, 'Loveparade 1', Munich, Germany

Blaffer Gallery, University of Houston, 'POPulence', Houston TX

Art Gallery of Ontario, 'The Shape of Colour: Excursions in Colour Field Art, 1950-2005', Toronto, Canada

Albright-Knox Art Gallery, 'Extreme Abstraction', Buffalo NY Greene Naftali Gallery, 'Post-Modern', New York NY

Galerie m Bochum, 'Grenzüberschreitung', Bochum, Germany

Hampden Gallery, University of Massachusetts Amherst, 'Masters of the Obvious', Amherst MA

The Parrish Art Museum, 'North Fork/South Fork: East End Art Now', Southampton NY

Galerie Renos Xippas, 'ON', Athens, Greece

Meyer Riegger Galerie, 'There's no land but the land (up there is just a sea of possibilities)', Karlsruhe, Germany

Tampa Museum of Art, 'Crosscurrents at Century's End: Selections from the Neuberger Berman Art Collection', Tampa FL

Hauser & Wirth Zürich, 'Ten Years Galerie Hauser & Wirth', Zurich, Switzerland

Häusler Contemporary, 'Farbe!', Munich, Germany

48 Wall Street, 'Art Downtown: New York Painting and Sculpture', New York NY

Jan Abrams Fine Arts, 'Objects of Desire', New York NY

Hauser & Wirth Collection, 'House of Fiction. Sammlung (3)', St.Gallen, Switzerland

Trevi Flash Art Museum, 'Inaugurazione', Trevi, Italy

Greengrassi Gallery, 'Mary Heilmann – Joanne Greenbaum', London, England

D'Amelio Terras, 'Shadow Dancing: 1975-79', New York NY

Kunstverein St. Gallen Kunstmuseum, 'Künstlerräume/Sammlerräume', St. Gallen, Switzerland

Pat Hearn Gallery, 'Part Two (1988-1994)', New York NY

Cheim & Read Gallery, 'Liquid Properties', New York NY

Galerie m Bochum, 'Art for Shelter', Bochum, Germany

Kunstmuseum St. Gallen, 'Jessica Stockholder – Mary Heilmann (Gemälde aus der Sammlung Hauser und Wirth)', St. Gallen, Switzerland

Aargauer Kunsthaus, 'Das Gedächtnis der Malerei', Aarau, Switzerland

Avram Gallery, 'Master Art Workshop Exhibition', Southampton NY

Embassy Suites Hotel, 'Contemporary Art', New York NY

Galleria Marabini, 'Cosmogram', Bologna, Italy

Greene Naftali Gallery, 'Free Coke', New York NY

Galerie Thaddaeus Ropac, 'Abstrakt', Salzburg, Austria

Kasseler Kunstverein, 'Special Offer', Kassel, Germany

Cheim & Read, 'Small Paintings', New York NY

Zeno X Gallery, 'Shopping the stars', Antwerp, Belgium

Matthew Marks Gallery and Pat Hearn Gallery, 'Painting: Now and Forever', New York NY

Parrish Art Museum, 'Sea Change', Southampton, New York

Kunsthaus Bregenz, 'KünstlerInnen: 50 Positionen zeitgenössischer internationaler Kunst' (cur. Edelbert Köb), Bregenz, Austria

Musée d'Art Moderne de Saint-Etienne, 'Abstraction/Abstractions. Géométries Provisoires', Saint-Etienne, France

Charlottenborg Exhibition Hall, 'Display' (cur. Mikael Andersen), Copenhagen, Denmark

Wooster Gardens, 'Drawing and Painting', New York NY

Jan Abrams Fine Art, 'American Women Artists of the Seventies', New York NY

Karen McCready Fine Art, 'Systematic', New York NY

Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, 'After the Fall. Aspects of Abstract Painting since 1970', Staten Island NY

Pat Hearn Gallery, 'Mary Heilmann, Joan Jonas, Jutta Koether, Monique Prieto', New York NY

School of Interior Design, 'Susret-Encounter: Artists and Refugees', New York NY

Forum for Contemporary Art, Saint Louis, 'Reconditioned Abstraction', Saint Louis MO

National Arts Club, 'Leap of Faith: Gregory Amenoff, Mary Heilmann, Gary Stephan, Michael Volanakis', New York NY

Pat Hearn Gallery, 'The Flying Saucer Project: Steven Baines, Mary Heilmann, Steve Keister ', New York NY

Thaddaeus Ropac, 'Abstract Practice', Salzburg, Austria

Transmission Gallery, 'A Grapefruit in the World of Park', Glasgow, Scotland

Monika Sprüth, 'Malerei II', Cologne, Germany

Museo Nacional Centro de Arte Reina Sofía, 'nuevas abstracciones', Madrid, Spain

Kunsthalle Bielefeld, 'Abstrakte Malerie heute. nuevas abstracciones', Bielefeld, Germany

Thaddaeus Ropac, 'Passage de l'acte', Paris, France

David Winton Bell Gallery, Brown University, 'Order/Disorder', Providence RI

New Museum of Contemporary Art, New York, 'A Labor of Love', New York NY

UCLA/Armand Hammer Museum of Art and Cultural Center, Los Angeles, 'Critiques of Pure Abstraction', Los Angeles CA

Cristine Rose Gallery, 'Mary Heilmann and Elizabeth Cannon', New York NY

Aargauer Kunsthaus, 'Karo Dame. Konstruktive, Konkrete und Radikale Konzepte von Frauen von 1914 bis heute' (cur. Beat Wismer), Aarau, Switzerland

Zeno X Gallery, 'Works on Paper', Antwerp, Belgium

Sarah Campbell Blaffer Gallery, University of Houston, 'Critiques of Pure Abstraction', Houston TX

University of Rhode Island, 'All about Edges', Kingston RI Milwaukee Art Museum, 'Twenty-five Americans: Paintings in the Nineties', Milwaukee WI

Aspen Art Museum, 'Contemporary Drawing: Exploring the Territory', Aspen CO

Museo Alejandro Oter, 'Transatlantica: The America-Europa Non-Representiva', Caracas, Venezuela

Stephen Wirtz Gallery, 'Blue', San Francisco CA

Charles Cowles Gallery, 'About Color', New York NY

Selby Gallery, 'Embraceable You: Current Abstractions', Sarasota FL

Robert Miller Gallery, 'Abstract Works on Paper', New York NY

Salvatore Ala Gallery, New York NY

Stux Gallery, 'Reveillon `94', New York NY

Center for Fine Art, 'Abstraction: A Tradition of Collecting in Miami', Miami FL

Baumgartner Galleries, 'Mary Heilmann, Jene Highstein', Washington DC

Räume für neue Kunst, 'Supervision' (cur. Günther Umberg and Rolf Hengesbach), Wuppertal, Germany

The Drawing Center, 'The Return of the Exquisite Cadavre', New York NY (Travelling Exhibiton)

The Corcoran Gallery of Art, 'The Return of the Exquisite Cadavre', Washington DC (Travelling Exhibiton)

Santa Monica Museum of Art, 'The Return of the Exquisite Cadavre', Santa Monica CA (Travelling Exhibiton)

Forum for Contemporary Art, 'The Return of the Exquisite Cadavre', St. Louis MO (Travelling Exhibiton)

American Center, 'The Return of the Exquisite', Paris, France (Travelling Exhibiton)

Kunsthalle Wien, 'Der zerbrochene Spiegel', Vienna, Austria (Travelling Exhibiton)

Deichtorhallen, 'Der zerbrochene Spiegel', Hamburg, Germany (Travelling Exhibiton)

Hochschule für Angewandte Kunst / Heiligenkreuzerhof, 'Future Perfect. Lili Dujourie, Ann Hamilton, Mary Heilmann, Pello Irazu, Vladimir Kokolia, Svetlana Kopystiansky, Brigitte Kowanz, Langlads & Bell, Walter Obholzer, Elmar Trenkwalder, Günter Umberg' (cur. Dan Cameron), Vienna, Austria

Galleria Nazionale d'Arte Moderna, Logge dei Balestrieri, 'Italia-America: L'Astrazione Ridefinita', San Marino, Italy

Locks Gallery, 'New American Abstraction', Philadelphia PA

Nina Freudenheim Gallery, 'Watercolors', Buffalo NY Michael Klein, 'Ageometry', New York NY

Asher/Faure Gallery, 'Bedroom Pictures', Los Angeles CA

Pat Hearn Gallery, 'Mary Heilmann, Jack Pierson, Jessica Stockholder', New York NY

P.S.1 Museum, 'Slow Art: Painting in NY Now', Long Island City NY

Michael Klein Gallery, 'A-Geometry', New York NY

TRI Gallery, 'Not Men', Los Angeles CA Gallery 400, University of Illinois at Chicago, 'On Condition. Painting Between Abstraction and Representation', Chicago IL

Robert Miller Gallery, 'Martha Diamond, Mary Heilmann, Harriet Korman and Bernard Piffaretti: Paintings', New York NY

Sandra Gering Gallery, 'Shades of Difference (The Feminine in Abstract Painting)', New York NY

Max Protetch Gallery, 'Stubborn Painting, Now and Then', New York NY

Sidney Janis Gallery, 'Conceptual Abstraction', New York NY

Pace Prints, 'New Editions', New York NY

Renee Fotouhi Fine Art, 'J.F.K. In Memoriam, Mythology and Denial', East Hampton NY

Shoshana Wayne Gallery, 'The Ends of Painting. The Edges of Abstraction', Santa Monica CA

Lawrence Oliver Gallery, 'Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall', Philadelphia PA

Marc Richards Gallery, 'Geometric Abstractions', Santa Monica CA

Ohio University School of Art, Athens OH

Cummings Art Center, Connecticut College, 'Fluid Geometry', Connecticut

The Whitney Museum of American Art, 'The Whitney Biennial', New York NY

New Jersey Center for Visual Arts, 'Restructure. Subverting the Grid', Summit NJ

Shea & Becker Gallery, 'Diagrams and Surrogates', New York NY

University Art Museum, University of California Santa Barbara, 'Abstract Options', Santa Barbara CA

Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York NY

University, 'A Debate on Abstraction', New York NY

Thomas Segal Gallery, 'Expressive Abstractions', Boston MA

Gallery 1709, '___', St. Louis MO

Instituto de Estudios Nordamericanos, 'Sightings. Drawing with Color', Barcelona, Spain

Pratt Institute, 'Sightings. Drawing with Color', New York NY

Saxon Lee Gallery, 'Among Them, But Not Of Them', Los Angeles CA

Robin Lockett Gallery, '___', Chicago IL

Tom Cugliani Gallery, '___', New York NY

M-13 Gallery, 'Spirited Logic', New York NY

La Galeria en El Bohio, 'Contemporary Art Auction 2', New York NY

Pat Hearn Gallery, 'Sculpture', New York NY

Seattle Art Museum, 'Clay Revisions: Plate, Cup and Vase', Seattle WA

The Corcoran Gallery of Art, '40th Biennial of American Contemporary Painting', Washington DC

Wright State University Art Gallery, 'The Use of Geometry in the 80s', Dayton OH

Fred Hoffmann Gallery, '___', Venice CA

Pat Hearn Gallery, 'Drawing Show', New York NY

Blum Helman Gallery, 'Mary Heilmann, Janice Tchalenko, Betty Woodman', New York NY

Holly Solomon Gallery, 'Anniversary Show', New York NY

Baskerville and Watson Gallery, 'Brilliant Color', New York NY

Katonah Gallery, 'Forms that Function', Katonah NY

Nina Freudenheim Gallery, 'Drawings: New Dimensions', Buffalo NY

Blum Helman Warehouse, 'Bomb Magazine Benefit', New York NY

Douglas College Gallery, Rutgers University, 'Women Artists Retrospective', New Brunswick NJ

University Art Gallery, University of South Florida, 'Precious Objects', Tampa FL

Central Washington University Gallery, 'National Drawing Invitational', Ellensberg WA

Lang Art Gallery, 'Thirty-ninth Scripps College Ceramic Annual', Claremont CA

Marianne Deson Gallery, 'A Painting Show: Painting for the Eighties', Chicago IL

Cantor/Lemberg Gallery, 'Selections from Holly Solomon Editions', Birmingham MI

The Kitchen, 'More Portraits: Anne Doran, Joan Logue, Mark Magill/Mary Heilmann', New York NY

Holly Solomon Gallery, 'Three More', New York NY

Greenberg Gallery, '___', St. Louis MO

Jacksonville Art Museum, 'The Norman Fisher Collection', Jacksonville FL

Freedmann Gallery, Albright College, 'Small Is Beautiful', Reading PA

Holly Solomon Gallery, 'Gold / Silver', New York NY

Bronx Museum of the Arts, 'Personal Vision: Places / Spaces', Bronx NY

P.S.1 Museum, 'The Painting Show', Long Island City NY

Sarah Lawrence College, 'Painting: 75, 76, 77', Bronxville NY

Museum of Modern Art (Members Gallery), 'Maps', New York NY

Holly Solomon Gallery, 'The First Two Years', New York NY

Daniel Weinberg Gallery, '___', San Francisco CA

Galerie Alexandra Monett, 'Patterning and Decoration', Brussels, Belgium

Yale School of Art, 'Choices', New Haven CT

Sarah Lawrence College, 'Non-Collectible Art from the Collection of Horace and Holly Solomon', Bronxville NY

112 Greene Street Gallery, 'Suzanne Harris, Mary Heilmann, Harriet Korman', New York NY

Holly Solomon Gallery, 'Group Show', New York NY

Contemporary Arts Center, 'Options 73/30: Recent Works of Art', Cincinnati OH

Museum of Modern Art (Members Gallery), 'Landscape', New York NY

Kenan Center, 'Ten Artists (Who Happen To Be Women)', Lockport NY

The Whitney Museum of American Art, 'Whitney Annual', New York NY

Kunsthaus Hamburg, 'American Women Artists', Hamburg, Germany

Institute of Contemporary Art, 'Grids', Boston MA

Newark Museum, 'Painting and / or Sculpture', Newark NJ

Indianapolis Museum of Art, 'Painting and Sculpture Today, 1972', Indianapolis IN

Fine Art Center, University of Rhode Island, 'Three painters: Mary Heilmann, Pat Steir, and Joan Snyder', Kingston RI

Henri 2 Gallery, Washington D.C.

The Aldrich Museum of Contemporary Art, 'Women Artists', Ridgefield CT

New Gallery, Cleveland OH

Paley & Lowe Gallery, New York NY

'Signs and Wonders', in: Art Forum, New York NY, November 2007, p. 314

'What is the Object?', in: Frieze, London, No. 82, April 2004, p. 68

'Telling Stories: Elizabeth Murray and Her Art', in: Elizabeth Murray: Paintings and Work on Paper, N.H.: Dartmouth College, 2002

'Joanne Greenbaum', in: Bomb, no. 71, Spring 2000, pp. 103–5

Heilmann, Mary, 'The All Night Movie', Galerie Hauser & Wirth, Zurich: Offizin, 1999 'I’m Always Affected by My Clothes', in: Purple, no. 4, Winter 1999–2000, pp. 311–13

'Cherchez La Femme' Peintre (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139

'First Day', Rogue, vol. XX, June 1993, p. 11

'Does Gender Make a Difference in Contemporary Art' (inquiry), in: Tema Celeste, Syracuse, no. 37-38, sepcial issue, Autumn 1992, p. 63

Morrill, Rebecca, Hunegs, Simon, Murphy, Maia (eds.), 'Great Women Painters', London: Phaidon, 2022, p. 132, ill.

Karmel, Pepe, 'Abstract Art. A Global History', Farnborough: Thames & Hudson, 2020, p. 140, ill.

Van Cauteren, Philippe (ed.), 'S.M.A.K. Highlights for a Future', Bruxelles/BE: S.M.A.K., Mercatorfonds, 2019, p. 137, ill.

Dziewior, Yilmaz (ed.), 'Museum Ludwig. Art. 20th/21st Centuries. Collection. Painting, Sculpture, New Media', Cologne: Verlag der Buchhandlung Walther König, 2018, p. 237, ill.

Cooke, Lynne, ‘Outliers and American Vanguard Art’, Washington DC: National Gallery of Art, Chicago: University of Chicago Press, 2018, pp. 298-299 (exh. cat.)

Fritz, Nicole (ed.), ‘Sexy and Cool. Minimal Goes Emotional’, Bielfeld: Kerber Verlag/ Kunsthalle Tübingen, 2018

Trembley, Nicolas (ed.), ‘The SYZ Collection’, Zurich: JRP | Ringier, 2018, pp. 68, 82-83,120-21, 152-53, 172-73, ill.

in colour (install. views) Artpace, ‘On the Road’, San Antonio: Artpace San Antonio, 2010, p. 20, int. verso, ill. in colour (install. view)

Yee, Lydia, ‘Mary Heilmann: Looking at Pictures’, London: Whitechapel, 2016

Hickey, David, '25 Women: Essays on Their Art', Chicago: The University of Chicago Press

Kittelmann, Udo, ed., ’Two by Two: Mary Heilmann & David Reed’, Berlin: Staatliche Museen zu Berlin, 2015

Hudson, Suzanne, ‘Painting Now’, New York: Thames and Hudson, 2015

Ammer, Manuela, Hochdörfer, Achim, Joselit, David (eds.), 'Painting 2.0 Expression in the Information Age. Gesture and Spectacle. Eccentric Figuration. Social Networks.', Munich: Prestel, 2015, pp. 117-118, ill. (exh. cat.)

Mazonis, Emanuela (ed.), 'Don't Shoot The Painter', Milan: Skira Editore, 2015, pp. 148, n. p., ill.

Gorgen, Stacey, and Benchley, Amanda, 'Artists Living with Art: A Group of Literary, Musical, Sculptural, Photographic and Film Pieces', New York: Abrams, 2015

Staff, Craig, 'After Modernist Painting. The History of a Contemporary Practice', London UK: I.B.Tauris & Co Ltd, 2013, ill.

Schreier, Christoph, Gronert, Stefan (eds.), 'Mary Blinky Yay!', Cologne: Snoek Verlagsgesellschaft, 2013, (exh.cat.)

Unterdörfer, Michaela (ed.), 'Hauser & Wirth. 20 Years', Ostfildern: Hatje Cantz, 2013

Fensterstock, Ann, 'Art on the Block: Tracking the New York Art World from SoHo to the Boweery, Bushwick and Beyond', New York: St. Martin’s Press, 2013

Paula van den Bosch, Angelika Nollert (eds.), 'Mary Heilmann. Good Vibrations', Cologne: Verlag der Buchhandlung Walther König (exh. cat.)

Cappellazzo, Amy, Rose, Barbara + [et al.], '"We had to destroy it in order to save it"'. Painting in New York in the 1970's.', New York: Christie's, 2012, pp. 50-53, ill. (cat.)

Molesworth, Helen, 'This Will Have Been: Art, Love & Politics in the 1980s', Chicago: Museum of Contemporary Art Chicago, 2012, pp. 78 – 81, ill. (exh.cat.)

Hubertus Gassner, Annabelle Görgen, Christoph Benjamin Schulz, 'Alice im Wunderland der Kunst', Ostfildern/DE: Hatje Cantz, 2012, ill. (exh. cat.)

Franz, Erich (ed.), Possegger, Iris (ed.), 'Aufbruch. Malerei und realer Raum', Heidelberg: Verlag das Wunderhorn, pp. 126 – 127

Gary Snyder Gallery, 'Nicholas Krushenick: A Survey, New York, 2011 (exh. cat.)

Strugis, Daniel, Clark Martin, Shalgosky, Sarah, 'The Indiscipline of Painting', Uckfield: Pureprint Ltd, pp. 65-66

Butler, Connie, 'Defining Contemporary Art: 25 Years in 200 Privotal Artworks', New York, Phaidon 2011, pp. 246-247

'The 2011 Bridgehampton Biennial', New York: Martos Gallery, 2011

'Hanne Borchgrevink', Bergen: Bergen Kunsthall, 2011, p. 71

Johnson, Ken, 'Are You Experienced?: How Psychedelic Consciousness Transformed Modern Art', New York: Prestel Publishing, 2011

'Creating the New Century: Contemporary Art from the Dicke Collection' Dayton: The Dayton Art Institute, 2011, p. 79

Farthing, Stephan, 'Revised and Updated Edition: 1000 Paintings You Must See Before You Die', New York: Universe Publications, 2011

Imdahl, Georg, 'Mary Heilmann', in: Kuenstler. Kritisches Lexikon der Gegenwartskunst, München, Ausgabe 91, Heft 17, 3. Quartal 2010

Kunstmuseum St.Gallen (ed.), 'Ambigu - Zeitgenössische Malerei zwischen Abstraktionen und Narration', Heidelberg/DE: Kehrer Verlag, 2010 (exh. cat.)

Rondeau, James, 'Contemporary Collecting: The Donna and Howard Stone Collection', Chicago IL: Art Institute of Chicago, 2010

'At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg', Annandale-on-Hudson: Center for Curatorial Studies, Bard College, 2010

Yuki Minami (ed.), 'MUTE. Acoustic Colors', Tokyo: Tanin Inc., 2009, cover, unpag., ill.

Scharpff-Striebich, Carolin, ‘Let’s Talk Abstract’, Berlin: DISTANZ, 2009

Sollins, Marybeth (ed.), 'art:21, art in the twenty-first century', New York NY: Art21, 2009, pp. 74-87

Godfrey, Tony, 'Painting Today', New York: Phaidon, 2009

Nickas, Bob, 'Painting Abstraction: New Elements in Abstract Painting', New York: Phaidon, 2009

Fig, Joe, 'Inside the Painter’s Studio', New York: Princeton Architectural Press, 2009

'Rises in the East: A Gallery in Whitechapel', London: Whitechapel Gallery Ventues Limited, 2009, pp. 79 and 104

Garrels, Gary, 'Oranges and Sardines: Conversations on Abstract Painting', Los Angeles: Hammer Museum, 2008

Madesta, Andrea (ed.), 'abstrakt / abstract', Cologne/ Klagenfurt: Snoeck/MMKK, 2008, pp. 56-57, ill. (exh. cat.)

Brown, Brice, Winkfield, Trevor (ed.), 'The Sienese Shredder', New York NY: Sienese Shredder Editions, 2008, pp. 299-310

Huldisch, Henriette, Momin, Shamim, 'Whitney Biennial 2008', New Haven CT: Yale University Press, 2008 (exh. cat.)

'Abstract Vision', Zurich: Thomas Ammann Fine Art, 2008, p. 14

'Dan Walsh: Paintings', New York: Paula Cooper Gallery and Paris: Galerie Xippas, 2007, p. 101

'Royal Academy Illustrated 2008', London: Royal Academy of Arts, 2008, p. 42

Heartney, Eleanor, 'Art & Today', in: New York: Phaidon Press Inc., 2008, pp. 70 and 75

Mark, Lisa Gabrielle, Hamilton, Elizabeth (eds.), 'WACK! Art and the feminist Revolution', London: MIT Press/ Los Angeles: MoCA, 2007 (exh. cat.)

Thorp, David, 'Abstraction: Extracting from the World', Sheffield: Millenium Galleries, 2007

Myers, Terry, 'Mary Heilmann: Save the Last Dance for Me', Afterall Books, 2007

Armstrong, Elizabeth; Burton, Johanna; Hickey, David, 'Mary Heilmann. To Be Someone', New York NY: Prestel Publishing 2007 (exh. cat.)

Burton, Johann, 'Marilyn Minter', New York NY: Gregory R. Miller & Co., 2007, pp. 14-27

Cole-Cunningham, Ragan, 'Counterparts: Contemporary Painters and Their Influences', Virginia Beach VA: Contemporary Art Center of Virginia, 2007 (exh. cat.)

Erf, Lisa K, 'Collected Visions: Modern and Contemporary Works from the JPMorgan Chase Art Collection', Istanbul: Pera Museum, 2007

Morrison, Toni, 'Artworks: The Progressive Collection', New York NY: D.A.P./Distributed Art Publishers, Inc., 2007

Thorp, David, 'Abstraction: Extracting from the World', Sheffield: Millenium Galleries, 2007 (exh. cat.)

Heartney, Eleanor, 'Art & Today', New York: Phaidon Press, 2008, pp. 70 and 75

Villa Manin Centro d’Arte Contemporanea (ed.), 'Infinite Painting. Pittura Contemporanea e Realismo Globale. Contemporary Painting and Global Realism', Tolmezzo (Udine): Andrea Moro, 2006 (exh. cat.)

von Berswordt-Wallrabe, Alexander and Silke (ed.), 'Art for Shelter: Art Against Trafficking in Women and Sexual Exploitation', Basel, 2006, p. 21 (exh. cat.)

Ruf, Bearix (ed.), 'Laura Owens', Zurich, JRP Ringier, 2006 (exh. cat.)

Siegel, Katy (ed.), 'High Times Hard Times: New York Painting 1967-1975', New York NY: Independent Curators International, 2006 (exh. cat.)

Stosuy, Brandon (ed.), 'Up is Up But Down is Down: New York’s Downtown Literary Scene, 1974-1992', New York NY: New York University Press, 2006, p. 130

'Zeno X Gallery: 25 Years', Antwerp. Zeno X Gallery, 2006, pp. 98-99

Swiss Reinsurance Company (ed.), 'Art at 30 St Mary Axe London', Zurich, 2005, pp. 154-159, ill. (exh. cat.)

Moos, David (ed.), 'The Shape of Colour: Excursions in Colour Field Art, 1950-2005', Toronto ON: Art Gallery, 2005

Pagel, David, 'POPulence', Houston: Blaffer Gallery, 2005

'North Fork/South Fork: East End Art Now', Southampton, NY: The Parrish Art Museum, 2004

Moser, Jill, et al. 'Masters of the Obvious', Amherst: Hampden Gallery, Fine Arts Center, University of Massachusetts, 2004

Secession (ed.), 'Mary Heilmann. All Tomorrow’s Parties', Cologne: Verlag der Buchhandlung Walther König, 2003 (exh. cat.)

Hutchinson, John (ed.), Mary Heilmann. 'The Architecture of Heaven', Dublin: Douglas Hyde Gallery, 2003 (exh. cat.)

Curiger, Bice (ed.) 'Georgia O’Keeffe', Ostfildern-Ruit: Hatje Cantz Verlag, p. 182, ill. (exh. cat.)

Unterdörfer, Michaela (ed.), 'The House of Fiction. Sammlung Hauser und Wirth / 3', Nürnberg: Verlag für moderne Kunst, 2002, pp. 69, 70, 73, ill. (exh. cat.)

'Mary Heilmann in Conversation with David Ryan', in: Ryan, David, 'Talking Painting, Dialogues with Twelves Contemporary artists', New York NY: Taylor and Francis Books, 2002, pp. 109 – 118

Joselit, David, 'Mary Heilmann’s embodied Grids (1990)', in: Ryan, David, 'Talking Painting, Dialogues with Twelves Contemporary artists', New York NY: Taylor and Francis Books, 2002, pp. 101 – 108

Camden Arts Centre (ed.), London: 'Mary Heilmann', 2001, (exh. cat.)

Kunstmuseum St. Gallen/Sammlung Hauser und Wirth (ed.), 'Mary Heilmann. Little 9 x 9 (1973) / Blue Room (1997) ' (text by Konrad Bitterli), Cologne: Oktagon Verlag, 2000, ill. (exh. cat.)

Galerie Hauser & Wirth (ed.), 'Mary Heilmann. The All Night Movie' (text by Jutta Koether), Zurich: Offizin-Verlag, 1999, ill. (exh. cat.)

Stiftung für konstruktive und konkrete Kunst Zürich (ed.), 'Mary Heilmann. This and That', Zurich: Stiftung für konstruktive und konkrete Kunst, 1997, ill. (exh. bro.)

Kunsthaus Bregenz, Köb, Edelbert (ed.), 'KünstlerInnen. 50 Gespräche', Cologne: Verlag der Buchhandlung Walther König, 1997, pp. 116-120, ill. (exh. cat.)

Kunsthaus Bregenz, Köb, Edelbert (ed.), 'KünstlerInnen. 50 Positionen zeitgenössischer internationaler Kunst. Videoportraits und Werke', Bregenz: Kunsthaus Bregenz, 1997, p. 14, ill. (exh. bro.)

Häusler, Christa (ed.), 'Mary Heilmann. Farbe und Lust', Ostfildern: Cantz, 1997, ill. (exh. cat.)

Musée d’Art Moderne, Saint-Etienne (ed.), 'Abstraction/Abstractions. Géométries Provisoires', St. Etienne/Paris: Musée d’Art Moderne Saint-Etienne/Adagp/Spadem, 1997, pp. 38-45, ill. (exh. cat.)

Herzog, Hans-Michael (ed.), 'Abstrakte Malerei heute. nuevas abstracciones', Bielefeld: Kunsthalle Bielefeld, 1996, ill. (exh. cat.)

Wismer, Beat (ed.), 'Karo Dame. Konstruktive, Konkrete und Radikale Kunst von Frauen von 1914 bis heute', Aarau/Baden: Aargauer Kunsthaus/Verlag Lars Müller, 1995, pp. 378-383, ill. (exh. cat.)

Rosenthal, Mark, 'Critiques of Pure Abstraction', New York NY: Independent Curators Incorporated, 1995 (exh. cat.)

König, Kaspar, Obrist, Hans-Ulrich (ed.), 'Der zerbrochene Spiegel. Positionen zur Malerei', Vienna: Kunsthalle Wien, 1993, pp. 94-97, ill. (exh. cat.)

Hochschule für Angewandte Kunst (ed.), 'Future Perfect', Vienna: Heiligenkreuzerhof, 1993 (exh. cat.)

Galleria Nazionale d’Arte Moderna (ed.), 'Italia-America. L’Astrazione Redefinita', San Marino, 1993 (exh. cat.)

AsherFaure/RubinSpangle (ed.), 'Bedroom Pictures', Los Angeles, 1992 (exh. bro.)

Max Protech Gallery (ed.), 'Stubborn Painting, Now and Then', New York NY, 1991 (exh. cat.)

Sidney Janis Gallery (ed.), 'Conceptual Abstraction', New York NY, 1991 (exh. bro.

Shoshana Wayne Gallery (ed.), 'The Ends of Painting. The Edge of Abstraction' (Text by David Pagel), Santa Monica CA, 1990 (exh. cat.)

Institute of Contemporary Art (ed.), 'Mary Heilmann: A Survey' (Text by David Joselit), Boston MA: Institute of Contemporary Art, 1990 (exh. cat.)

Cummings Arts Center. Connecticut College (ed.), 'Fluid Geometry', Connecticut, 1990 (exh. cat.)

Lawrence Oliver Gallery (ed.), 'Mary Boocheever, David Diao, Stephen Ellis, Mary Heilmann, Ika Huber, Stephen Westfall' (Text by Barry Schabsky), Philadelphia PA, 1990 (exh. cat.)

New Jersey Center for Visual Arts, 'Restructure. Subverting the Grid', Summit, 1989 (exh. cat.)

Whitney Museum of American Art (ed.), 'The Whitney Biennial', New York NY: Whitney Museum of American Art, 1989 (exh. cat.)

University Art Museum (ed.), 'Abstract Options', Santa Barbara CA, 1989 (exh. cat.)

Hunter College (ed.), 'A Debate of Abstraction', New York NY: Hunter College, 1988 (exh. cat.)

Pratt Institute/Instituto de Estudios Norteamericanos (ed.), 'Sightings. Drawings with Color', New York NY/Barcelona, 1988 (exh. cat.)

Gallery Mukai (ed.), 'Mary Heilmann', Tokyo, 1988, ill. (exh. bro.)

Seattle Art Museum (ed.), 'Clay Revisions. Plate, Cup & Vase', Seattle, 1987 (exh. cat.)

Corcoran Gallery of Art (ed.), '40th Biennial of American Contemporary Painting', Washington, 1987 (exh. cat.)

Smith, Roberta, 'Mary Heilmann', New York NY: Pat Hearn Gallery, 1986, ill. (exh. bro.)

Holly Solomon Gallery (ed.) 'The 10th Anniversary', New York NY, 1983 (exh. bro.)

Holly Solomon Gallery (ed.), 'Three More', New York NY, 1980 (exh. bro.)

Jacksonville Art Museum (ed.), 'The Norman Fisher Collection', Jacksonville FL, 1980 (exh. cat.)

Sarah Lawrence College (ed.), 'Painting: 75, 76, 77', Bronxville WC, 1977 (exh. bro.)

Holly Solomon Gallery (ed.), 'The First Two Years', New York NY, 1977 (exh. bro.)

Contemporary Arts Center, 'Options', Cincinati OH, 1973 (exh. bro.)
Kenan Center, 'Ten Artists Who Happen to be Women', Fredonia NY, 1973 (exh. bro.)

Newark Museum (ed.), 'Painting and/or Sculpture', Newark NJ, 1972 (exh. bro.)

Whitney Museum of American Art (ed.), 'Whitney Annual', New York NY, 1972 (exh. cat.)

Kunsthaus Hamburg (ed.), 'American Women Artists', Hamburg, 1972 (exh. cat.)

Avgikos, Jan, '"Painting in New York: 1971–83"', in: Artforum, New York, January 2023

Rubinstein, Raphael, 'Mary Heilmann’s "The All Night Movie"', in: The Brooklyn Rail, Brooklyn, September 2022, ill.

Silzer, Kate, 'The Best Part of Mary Heilmann’s Memoir Is the Paintings', on: hyperallergic.com, 16 November 2022, ill.

Sheets, Hilarie M., 'Revisiting a Groundbreaking Show of Feminist Art', on: nytimes.com, 27 April 2022, ill.

Landes, Jennifer, 'Mary Heilmann Hangs 10 (or More) in Southampton', on: easthamptonstar.com, 25 November 2020, ill.

___, 'Highway, Ocean, Daydreams', on: themakermagazine.com, 23 October 2020, ill.

Klingelfuss, Jessica, 'West Side Story', in: Wallpaper, May 2020, pp. 92-112, ill.

Rimanelli, David, ‘The Conditions of Being Art. Pat Hearn Gallery and American Fine Arts, Co. (1983-2004)’, in: Artforum, New York, vol. 57, no. 4, December 2018, p. 163, ill.

Colaizzi, Vittorio, 'On Formal Noodling: Invention and Determination in Recent Abstract Painting’, in: ASAP Journal, Baltimore, January 2018, pp. 67-96

___, ’New Masters’, in: Vanity Fair, New York, 8 March 2018 Yau, John, 'Back When Painting Was Dead', on: hyperallergic.com, New York, 11 February 2018

Yau, John, 'Thomas Nozkowski, a Master Improviser', on: hyperallergic.com, New York, 4 February 2018

Stopa, Jason, 'Painting as Total Environment', on: hyperallergic.com, New York, 6 January 2018

Daly, Tara, 'The Aldrich Museum: Champions of Emerging Female Artists', on: news.hamlethub.com, Ridgefield, 30 November 2017

Lau, Lucy, 'Leading contemporary art gallery Hauser & Wirth opens holiday pop-up bookstore in Vancouver', on: www.straight.com, Vancouver, 24 November 2017

Lennon, Anastasia, 'Annual Hamptons "Thanksgiving Collective" To Reflect Upon Good In The World', on: www.hamptons.com, Southampton, 22 November 2017

Segal, Mark, 'The Art Scene: 11.23.17', on: easthamptonstar.com, East Hampton, 22 November 2017

Melchert, Jim, 'Jim Melchert', on: brooklynrail.org, New York NY, 2 November 2017

'‘A Line Between the Morning Sun and the Evening Sun’ at Häusler Contemporary, Zürich', on: www.blouinartinfo.com, New York NY, 25 October 2017

von Burg, Dominique, 'Dialog - A Line Between the Morning Sun and the Evening Sun', in: Kunstbulletin, Zürich, Switzerland, October 2017

Smith, Roberta, 'Mary Heilmann', in: The New York Times, New York NY, 22 September 2017, p. C19

Rhodes, David, 'Mary Heilmann: RYB: Mary Heilmann Paintings 1975-1978', on: brooklynrail.org, Brooklyn NY, 7 September 2017

Rosenfeld, Jason, 'Blue Black: Curated by Glenn Ligon', on: brooklynrail.org, Brooklyn NY, 7 September 2017

Tuchmann, Phyllis, ’’The Geometry of Making’: A Mary Heilmann Doubleheader in New York’, on: www.artnews.com, 16 August 2017

Croak, James, ‘ART REVIEW: The Quiet Poetry of Mary Heilmann’s Paintings at Dan Flavin’, on: hamptonsarthub.com, 7 August 2017

’Bijutsu Techno’, in: Bijutsu Techno, Tokyo Japan, March 2017, pp. 110-111

Wehner, Greg, 'A Sense Of Place' Exhibition Opens At Southampton Arts Center’, on: 27east.com, 28 February 2017

’Fast Forward: Painting from the 1980’s’, in: The New Yorker, 13 February 2017

Viladas, Pilar, ’Inside Marilyn Minter's Colorful, Irrepressible, Art-Filled Hideaway in the Woods’, in: W Magazine, 9 February 2017

Smith, Roberta, ‘When Brash Met Flash’, in: the New York Times, New York New York, 10 February 2017, p. C19

’Barbara Weiss (1960-2016)’, on: artforum.com, 4 January 2017

Interview with Mary Heilmann, Looking at Pictures at Whitechapel Gallery’, on: www.aestheticamagazine.com, York UK, 16 July 2016

Rowland, Hazel, ‘Stories in abstraction: an interview with Mary Heilmann’, on: www.apollo-magazine.com, London UK, 9 July 2016

Breen, Matt, ‘Review: Mary Heilmann: Looking at Pictures’, in: Time Out, London UK, 21 – 27 June 2016, pp.80

Hawksley, Rupert, ‘Mary Heilmann: in the studio’, on: www.telegraph.co.uk, London UK, 17 June 2016

Falconer, Morgan, ‘Mary Heilmann’, in: The World of Interiors, London UK, July 2016, pp.119

Andrew, Theo, ‘Mary Heilmann: Looking at Pictures – Whitechapel Gallery’, on: www.themetropolist.com, London UK, 16 June 2016

Cumming, Laura, ‘Winifred Knights (1899-1947); Mary Heilmann: Looking at Pictures – review’, on: www.theguardian.com, London UK, 12 June 2016

Spencer, Samuel, ‘Mary Heilmann on 1970s New York and Her New Whitechapel Show’, on: www.blouinartinfo.com, New York NY, 10 June 2016

Barry, Robert ‘Formalism On Acid: Mary Heilmann At The Whitechapel Gallery’, on: www.thequietus.com, London UK, 12 June 2016

Searle, Adrian, ’Mary Heilmann: Looking at Pictures review – art that plays fast and loose’, on: www.theguardian.com, London UK, 10 June 2016

‘Interview: Mary Heilmann’, on: www.freize.com, New York NY, 1 June 2010

Epps, Philomela, ‘California Counter-Culture Through the Eyes of Mary Heilmann’, on: www.anothermag.com, London UK, 8 June 2016

Luke, Ben, ‘Mary Heilmann: Looking at Pictures, exhibition review – Be captivated by colour’, on: www.standard.co.uk, London UK, 9 June 2016

Souter, Anna, ‘Mary Heilmann: Looking at Pictures at Whitechapel Gallery’, on: www.theupcoming.co.uk, London UK, 7 June 2016

Farago, Jason, ‘Artist Mary Heilmann: the Californian surfer still making waves in her 70s’, on: www.the guardian.com, London UK, 6 June 2016

Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016

Pereira, Lorenzo, ‘First Major UK Survey of the American Artist Mary Heilmann Coming to Whitechapel Gallery’, on: www.widewalls.ch, Ermatingen Switzerland, May 2016

Duray, Dan, ‘Heilmann show marks 50 years of ceramics, road trips and psychedelia’, in: The Art Newspaper, London UK, number 279, May 2016, pp.28

O’Halloran, Robbie, ’Mary Heilmann – Looking at Pictures @ Whitechapel Gallery, London, June 8 – August 21, 2016’, on: theglazelondon.com, London/UK, 22 June 2016

Breen, Matt, ’Mary Heilmann, Looking at Pictures’, in: ’Time Out’, London/UK, 21 June 2016

Kinsella, Eileen, ‘Music Legend Dickie Landry Has First Solo Painting Show at Fort Gansevoort’, on: www.news.artnet.com, New York NY, 1 June 2016

Peers, Alexandra, ‘Laughing Last: The Well-Earned Renaissance of Painter Mary Heilmann’, on: www.artspace.com, New York NY, 31 May 2016

Schachter, Kenny, ‘Kenny Schachter Deals in Difficult Times at New York Auction Week, Part II’, on: www.artnet.com, New York NY, 13 May 2016

Rothkopf, Scott, ‘A Curators Swift Ascendance Up the Whitney Museum’s Hierarchy’, in: ‘The New York Times’, New York NY, 3 May 2016

Drohojowska-Philp, Hunter, ‘Off the scale’, in: ‘Wallpaper’, London/UK, April 2016, pp. 234 – 242

Lopez, John ‘Hauser Wirth & Schimmel’s Ambitious New Gallery’, in: ‘Departures’, Los Angeles CA, 9 March 2016

Yablonsky, Linda, ‘A Moment Like This’, in: ‘Artforum’, Los Angeles CA, 4 April 2016

___,’ The Composer’, in: ‘Art News – The Icons Issue’, New York NY, March 2016, pp. Front Cover, 77 – 81

___, ‘Mary Heilmann exhibition, Whitechapel Gallery’, on: www.culturewhisper.com, London/UK, 25 February 2016

___, ‘“I Think We’re Changing Into a Tribal Nation”: A Converstaion with Dave HIckey on “25 Women”, on: www.imomus.com, New York NY, 16 February 2016

___, ‘Parker, Heilmann, and Homes are Guild Hall Academy Honorees’, on: www.easthamptonstar.com, East Hamptons NY, 4 February 2016

R. Myers, Terry, ‘Paintin 2.0: Expression in the Information Age’, on: www.brooklynrail.org, New York NY, 3 February 2016

Coomer, Martin, ‘The ten brightest exhibitions of 2016’, in: ‘Time Out London’, London/UK, 5 January 2016, pp. 44-45

___, ‘Mary Heilmann’, in: ‘Artforum’, New York NY, April 2016, pp. 190-205

Yau, John, ‘Mary Heilmann Invites Us to Join her in Arcadia’, on: www.hyperallergic.com, November 30, 2015

Mason, Brook, ‘Breaking rules: Mary Heilmann bends the boundaries of what constitutes art’, on: www.wallpaper.com, November 9, 2015

__, ‘Artful lodgers’ on: www.wmagazine.com, New York, August, 2015

___, as told to Monica Kim, ‘Artist Mary Heilmann paints her…’, on: www.nymag.com, June 29, 2015

Bell, Kirsty, ‘Two by Two: Mary Heilmann David Reed’, on: www.frieze.com, June, 2015

Puleo, Risa, Mary Heilmann and David Reed join forces at the Hamburger Bahnhof, on: www.blouinartinfo.com/modern-painters, July 5, 2015

Bacon, Alex, ‘In Conversation. Mary Heilmann and David Reed with Alex Bacon’, in: www.brooklynrail.org, New York, July 2015

Alcorn, Chauncey, Cuestas, Gianluca, and Splendorio, Peter, ‘Ultimate Summer Guide 2015: Make summer in NYC a free-for-all with gratis museum days, concerts and more,’ on: www.nydailynews.com, New York NY, 20 June 2015

__, ‘Essentials: Catching up on NYC’s new attractions while remembering the classics,’ on: www.foxnews.com, New York NY, 11 June 2015

___, ‘Picks of the week,’ on: www.timesunion.com, Albany NY, 11 June 2015

Shiff, Richard, ‘Cliché and a lack of feeling: Richard Shiff explains why critics have failed painting,’ on: www.theartnewspaper.com, London UK, 5 June 2015

Segal, Mark, ‘The Art Scene: 06.04.15,’ on: www.easthamptonstar.com, East Hampton NY, 4 June 2015

Barylanski, Nicole, ‘Local Chefs Coming Together for Eileen’s Angels Art Auction and Garden Party,’ on: www.hamptons.com, Southampton New York, June 2015

Schacter, Kenny, ‘Kenny Schacter On How Art Dealing Has Become Greedy, Boring, and Mean-Spirited,’ on: www.artnet.com, New York NY, 26 May 2015

___, ‘Sunset. Mary Heilmann’s project for the Whitney Museum’, on: www.db-artmag.com, 20 May 2015, ill.

___, ‘Whitney Museum Names Scott Rothkopf as Chief Curator, Donna De Salvo as Senior Curator,’ on: www.artfixdaily.com, New York NY, 20 May 2015

Smith, Jennifer, ‘Whitney Museum, Still Focused on American Art, Looks to Raise Its Global Profile,’ on: www.wsj.com, New York NY, 19 May 2015

Forgione, Mary, ‘New York: Nine tips for dodging crowds, enjoying new Whitney Museum,’ on: www.latimes.com, Los Angeles CA, 19 May 2015

Battaglia, Andy, ‘The Frieze Art Fair, Frame by Frame,’ on: www.wsj.com, New York NY, 18 May 2015

___, ‘A vibrant new home for American art,’ on: www.cbsnews.com, New York NY, 18 May 2015

___, ‘Maze Runner,’ on: www.artforum.com, New York NY, 18 May 2015

Kane, Nancy, ‘Parish Retrospective Gets Up Close And Personal With Chuck,’ on: www.27east.com, Southampton NY, 12 May 2015

Gopnik, Blake, ‘At the Whitney, the Veteran Mary Heilmann Fill Our World’, on: www.news.artnet.com, 7 May 2015, ill.

Tome, Anna, ‘Nancy Haynes: anomalies and non-sequiturs,’ on: www.brooklynrail.org, Brooklyn NY, 7 May 2015

Barylski, ‘Paul McCartney, Alec Baldwin, Toni Ross, Eric Fischl, And April Gornik Featured in “Small Works, Big Artists” Benefit Exhibit,’ on: www.hamptons.com, Southampton NY, 5 May 2015

Rosenbaum, Lee, ‘“America Is Hard to See” Review: Old Favorites in Provocative New Company,’ on: www.wsj.com, New York NY, 5 May 2015

Saltz, Jerry and Wallace-Wells, David, ‘Jerry Saltz: Does the New Whitney Show That Modernism Never Really Happened in America?’ on: www.vulture.com, New York NY, 5 May 2015

Samet, Jennifer, ‘Beer with a Painter: Jason Karolak,’ on: www.hyperallergic.com, Brooklyn NY, 3 May 2015

von Klot, Kristina, ‘Malen wie die Beach Boys: Mary Heilmann und David Reed fuehren in Berlin einen lockeren Meisterdialog’, on: www.Monopol-magazin.de, Berlin, April 2015 Ortved, John, ‘Jeff Koons, David Schwimmer, Rachel Feinstein, and More Come Out to the New Musem Spring Gala,’ on: www.vogue.com, New York NY, 9 April 2015

Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design,’ on: www.wsj.co, New York NY, 9 April 2015

Gordon, Amanda L., ‘Scene Last Night: Och-Ziff’s Brown, Jeff Koons, Kraus, Aby Rosen,’ on: www.bloomberg.com, New York NY, 9 April 2015

Heyman, Marshall, ‘Mastering the Art of the Party at the Whitney,’ on: www.wsj.com, New York NY, 21 April 2015

Pace, Gina, ‘Get a sneak peek inside the Whitney Museum’s new downtown home,’ on: www.nydailynews.com, New York NY, 23 April 2015

Chu, Christie, ‘Stefano Tonchi and Beth Rubin DeWoody Fête Max Mara’s New Whitney Museum Bag,’ on: www.artnet.com, New York NY, 23 April 2015

Yablonsky, Linda, ‘American Beauty,’ on: www.artforum.com, New York NY, 23 April 2015

Boucher, Brian, ‘Brian Boucher’s 10 Reasons To Be Excited About The New Whitney Museum,’ on: www.artnet.com, New York NY, 24 April 2015

Hoffman, Barbara, ‘The curators’ guide to the best art at the new Whitney,’ on: www.nypost.com, New York NY, 25 April 2015

Stoilas, Helen, ‘Director’s tour of the new Whitney Museum,’ on: www.theartnewspaper.com, New York NY, 30 April 2015

Yurick, Michaela, ‘New Whitney Museum Reopens Friday in Downtown Space,’ on: www.nbcnewyork.com, New York NY, 30 April 2015

Crow, Kelly, ‘The New Whitney Marks a Change in Museum Design’, on: www.wsj.com, 9 April 2015

___, ‘Mary Heilmann/David Reed,’ in: Weltkunst, Berlin Germany, April 2015, p. 112

Battaglia, Andy, ‘Weapons grade: The Armory Show looks to the Middle East,’ on: www.thenational.ae, Abu Dhabi United Arab Emirates, 12 March 2015

Pundyk, Anne Sherwood, ‘The Embrace of a Tie-Dyed Utopia,’ on: www.hyperallergic.com, Brooklyn NY, 12 January 2015

__, ‘Lawrence Abu Hamdan Announced As Commissioned Artist For 2015

Armory Show,’ on: www.artlyst.com, London UK, 27 October 2014

Cooper, Ashton, ‘Wangechi Mutu, Leslie Hewitt, and 32 Others Win $50,000 Grants From United States Artists,’ on: www.blouinartinfo.com, New York NY, 16 October 2014

___, ‘United States Artists Fellowship Grantees Announced,’ on: www.artforum.com, New York NY, 13 October 2014

Heilmann, Mary, ‘Mary Heilmann on Malevich,’ on: www.tate.org, London UK, 5 September 2014

Rosenberg, Karen, ‘“The Shaped Canvas, Revisited,”: Luxeumbourg & Dean,’ in: The New York Times, New York NY, 20 June 2014, p. C25

Szewczyk, Monika, ‘“Persian Rose Chartreuse Muse Vancouver Grey”: Equinox Gallery,’ in: Artforum, New York NY, Summer 2014, pp. 375-376

Jones, Justin, ’10 Works to See at the Armory Show in New York City’, on: www.thedailybeast.com, New York NY, 6 March 2014, ill.

Smith, Roberta, ‘A Dealer’s Eye, and Life,’ on: www.nytimes.com, New York NY, 16 January 2014

Posca, Claudia, ‘Mary, Blinky, Yay! Mary Heilmann und Blinky Palermo im Dialog’, in: Kunstforum, Ruppichteroth DE, October-December 2013, pp. 324-326, ill.

Kothenschulte, Daniel, ‘Auf Du mit Malewitsh: Mary Heilmann und Blinky Palermo in einer Binner Doppelausstellung’, in: Monopol, Berlin, Germany, pp. 128–129, ill.

Kliemann, Thomas, ‘Wer hat Angst vor Rot, Gelb und Blau?’ in: General Anzeiger, Bonn, vol. 123, no. 37, p. 11, ill.

Maine, Steven, ‘Mary Heilmann’s Good Vibrations’, on: www.hyperallergic.com, Brooklyn NY, 13 June 2013, ill.

Sachs, Britta, ‘Schöne grüne Welt’, in: Frankfurter Allgemeine Zeitung, 22 March 2013. ‘Good Vibrations’, in: Residence, 28 February 2013, p.142.

___, ‘Art meets Disco’, in: Blueprint, London UK, May 2013, p. 68, 6/6, ill.

Mückl, Christian, ‘ Auf dem Highway zur Halluzination’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013, p.17, ill.

Ruf, Birgit,’ Ein Platz für alle Wintermüden. Neues Museum geht in die Farb- Offensive: US-Künstlerin Mary Heilmann stellt aus’, in: Nürnberger Nachrichten, Nürnberg, 22 March 2013,p.6, ill.

___, ‘Klotzen mit Klecksen’, in: Süddeutsche Zeitung, Munich, 14 February 2013, ill.

___, ‘Mary Heilmann Künstlerische Welt’, in: Neue Zürcher Zeitung, Zurich, 10 February 2013, pp. 74-75, ill.

Samet, Jennifer, ‘Wild, Punk and Slightly Off-Kilter: An Interview with Mary Heilmann’, on: www.hyperallergic.com, New York NY, 12 January 2013

Ellis, Paticia, Kobald, Christian, ‘Mary Heilmann. Visions, Waves and Roads’, in: Spike, Vienna, April 2012, pp. 113 – 114

___, ‘Culture – We Love’, on: www.becauselondon.com, London, 20 March 2012

Lawrence-Jubb, Matilda, ‘London Art Exhibitions Cork Street Reviews’, in: ArtLyst.com, 19 March 2012

Coxhead, Gabriel, ‘Mary Heilmann’, in: Time Out, London, 15 March 2012, p. 51

Coombs, Dan, ’Mary Heilmann at Hauser & Wirth’, on: abstractcritical.com, London, 10 March 2012

Schroyer, Kaitlyn, ’Artist receives honorary degree’, in: The Informer, Hartford, 8 March 2012

McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: i, London, 8 March 2012, p. 38

McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: The Independent, London, 8 March 2012, p. 45

Güner, Fisun, ‘Art Review. Mary Heilmann: Visions, Waves and Roads’, in: Metro, London, 5 March 2012, p. 42

___, ’Mary Heilmann Visions, Waves and Roads @ Hauser & Wirth Gallery, London’, in: Looking Sideways, Brighton, 17 February 2012

Williams, Holly,’Taken to the max’, in: The Independent on Sunday, London, 26 February 2012, pp. 38- 41

Basciano, Oliver, ‘Now Buy This’, in: Art Review, London, March 2012, p. 20.

___, ‘Contributors’, in: Art Review, London, March 2012, pp. 20, 78, 80, 83

O’Neill-Butler, Lauren, ’Mary Heilmann’, on: Artforum online, New York, 20 February 2012,

___, ’Mary Heilmann’, in: Mousse, Milan, February/March 2012, p. 230

___, ’Mary Heilmann’s pop Postmodern Icons (PHOTOS)’, on: www.huffingtonpost.com, New York, 10 February 2012

___, ’10 to See’, in: Aesthetica, London, February/March 2012, p. 24

___, ‘Exhibition diary’, in: The World of Interiors, London, March 2012, p. 160

Lee, Helena, ‘Talking Points. Why don’t you…?’, in: Harper’s Bazaar, London, March 2012, p. 209

___, ‘The Indiscipline of Painting’, in: Art Monthly, London, February 2012, pp. 27, 28

___, ‘Art News. The latest discoveries, exhibits and must-sees in the art world this month’, in: The Mayfair Magazine, London, February 2012, p. 39

___, ’Mary Heilmann’, in: Modern Painters, New York, February 2012, p. 22

McLean-Ferris, Laura, ’Mary Heilmann: Visions, Waves and Roads’, in: The Independent, London, 30 December 2011, p.4

___, ’Mary Heilmann: ‚Visions, Waves and Roads’, in: i, London, 30 December 2011, p. 33

Rosenberg, Karen, ‘All Nooks, Crannies, Bedrooms and Trees Are Backdrops for Art’, in: The New York Times, New York, 8 August 2011

‘Paul Clay’, in: New Yorker, 1 August 2011

Henderson, Stephen, ‘There’s Something About Mary’, in: Hamptons Cottages and Gardens, Norwalk CT, July 2011, pp. 72-79

MacAdam, Barbara, ‘The Parallax View’, in: Artnews, April 2011

Heinrich, Will, ‘Big Pins in Bloom: Tara Donovan at Pace, Parallax at Lehmann Maupin’, in: Lund, Hayley, ‘Resident Artist’, in: The sag Harbor Express, 31 March 2011

Kennedy, Randy, ‘ Artists to Transform Bowery’s Roll-Down gates’, in: The New York Times, New York, 31 March 2011

Heinrich, Will, ‘Big Pins in Bloom: Tara Donovan at Pace; ‘Parallax’ at Lehmann Maupin’, in: The New York Observer, 23 February 2011

Butter, Tom, ’112 Greene Street A Nexus of Ideas in the Early 70s’, in: Whitehot Magazine of Contemporary Art. January 2011

Domitz, Chet, ‘Mary Heilmann’s Horizon’, in: Art & Education, 11 January 2011

Lorch, Catrin, ‘Bilder wie Honig’, in: Süddeutsche Zeitung, 30 April- May 2010

Myers, Terry R., ‘In Conversation: Deborah Kass with Terry R. Myers’, in: The Brooklyn Rail, New York, September 2010

Arcangel, Cory, ‘Strictly Formal’, on: https://strictly-formal.org, July 2010, ill.

___, ‘Questionnaire. Mary Heilmann, What do you like the look of?’, in: Frieze, London, June-August 2010, p. 196, ill.

‘Waves Breaking: Little Ones and Big Ones’, in: Frieze, June-July 2010, p.196

Levin, Kim, ‘\(LEAN’, in: ARTnews, June, 2010

Rosenfield Lafo, Rachel, ‘Vancouver’s Art Scene Gets A Boost’, in: Art in America, New York NY, May 2010, p. 36

‘Daydreaming in the Same Way’, on: ArtSlant.com, 31 May 2010

Rosenau, Mirja, ‘Rasender Stillstand’, in: Art das Kunstmagazin, Hamburg, February 2010

___, ‘Waves Breaking: Little Ones and Big Ones’, in: Frieze, London, June-July 2010

Levin, Kim, ‘(Lean)’, in: Artnews, June 2010

Lorch, Catrin, ‘Bilder wie Honig’, in: Süddeutsche Zeitung, 30 April 2010

Maak, Niklas, ‘Formspiele: Mary Heilmann in Köln’, in: Frankfurter Allgemeine Zeitung, 6 February 2010

Rosenau, Mirja, ‘Rasender Stillstand’, in: ART das Kunstmagazin, February 2010

Härtling, Ursula, ‘Im Wetterbericht: Museum Ludwig zeigt Papierwerke der US-Künstlerin Mary Heilmann’, in: Kölnische Rundschau, Cologne, 22 January 2010

Deschler, Bettina, ‘Eine Bilderreise mit Musik’, in: Kölner Stadt-Anzeiger, 23 January 2010

Green, Penelope, ‘The Living Room, Furnished by Artists’, in: The New York Times, New York, 17 December 2009

Rubinstein, Raphael, ‘Provisional Painting’‘, in: Art in America, May 2009

Tuchman, Phyllis, ‘Artists in Residence’, in: Town and Country, May 2009, p. 62

Mack, Joshua, ‘Special Focus: Reviews Marathon, New York’, in: Art Review, London, issue 31, April 2009, p. 82

___, Mary Heilmann, in: ‘Texte zur Kunst-Edition Heft Nr. 73’, Texte zur Kunst, Berlin, März 2009, p. 258-259, ill.

Collings Matthew, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.

Mittelstaedt, Debora, ‘Das Leben ist ein Strand’, in: Monopol, Berlin, March 2009, pp. 74-82, ill.

Verwoert, Jan, ‘Life Work’, in: Frieze, London, March 2009, pp.120-125, ill.

Verwoert, Jan, ‘Life Work’, in: Frieze, March 2009 Nelson, Maggie, ‘Oranges and Sardines, Hammer Museum Los Angeles’ in: ArtForum, New York NY, February 2009, pp.178-79, ill.

Howard Halle (ed.), ‘Mary Heilmann + Elizabeth Peyton’, in: Time out New York, New York NY, January 2009, ill.

Dilligan, Thomas, ‘Review: ‘Oranges and Sardines ‘ at the Hammer’ in: Los Angeles Times, Los Angeles LA, 5 January 2009, ill.

Fig, Joe, ‘Inside the Painter’s Studio’, in: Princeton Architectural Press, New York, 2009

Schwender, Martha, ‘Brush Up on Your Painting’, in: Village Voice, 21-27 January 2009

Pagel, David, ‘Review: Oranges and Sardines at the Hammer’, in: Los Angeles Times, 2 January 2009

Minami, Yuki, ‘Mute #3: Acoustic Color’, Tokyo: Tanin Inc., 2009, pp.32-41

Perl, Jed, ‘Private Lives’, in: The New Republic, 24 December 2008 Skye Sherwin (ed.), ‘To be Someone’, London: Art Review, November 2008, p.47 ill. Mac Adam, Alfred, ‘Mary Heilman at Zwirner & Wirth’ in: Art News, New York NY, November, 2008, p. 160, ill. Sheets, Hilarie M., ‘The Sardine Factor, in: ARTnews, November 2008, p.86 Flood, Richard, ‘Mary Heilmann: To Be Someone’, in: New Museum PAPER, Fall/Winter 2008, p. 6 Griffin, Tim, ‘Oranges and Sardines: Conversations on Abstract Painting’, in: ArtForum, New York NY, September 2008, p. 218. Spears, Dorothy, ‘Mary Heilmann’s winding, abstract road to success’, International Herald Tribune, New York NY, 6 October 2008, ill. Spears, Dorothy, ‘Swimming with the Big Fish at Last’, in: The New York Times, New York NY, 5 October 2008, ill. Johnson, Ken, ‘Unabashedly Joyful Paintings That Look Fun and Easy, but Don’t Be Fooled’, in: The New York Times, 24 October 2008 Sneed, Gillian, ‘Breaking Ground. Painted’, on: NY Arts, New York NY, August 2008, pp. 232-238, 277-278, ill. Schor, Gabriele, ‘Eine Reise durch den Kosmos der Emanzipation’, in: Neue Zürcher Zeitung, Zurich, 30 April 2008, p. 12 Schjeldahl, Peter, ‘Lessness: The Whitney Biennial’, in: The New Yorker, New York NY, 17 Schjeldahl, Peter, ‘ Just for Fun’, in: The New Yorker, New York, 3 November 2008 March 2008, p. 86 Johnson, Ken, ‘Striking When the Spirit Was Hot’, in: The New York Times, New York NY, 15 February 2008 Berwick, Carly, ‘The Season at a Glance’, in: New York Magazine, New York, 1-8 September 2008 Smith, Roberta, ‘Art in Review’, in: The New York Times, 8 August 2008 Boucher, Brian, ‘From the Studio to Your Monitor’, in: Art in America, November 2008 Brown, Alix, ‘Artful Lodgers’, in: The New York Times Style Magazine, New York, Winter 2008 Goldstein, Andrew, ‘Artist Mary Heilmann Paints Little Boxes’, in: New York Magazine, New York, 22 October 2008 Halle, Howard, ‘Mary Heilmann + Elizabeth Peyton’, in: Time Out New York, New York, 13-19 November 2008 Kinkley, Jonathan, ‘Angles in America’, in: Time Out Chicago, Chicago. 2-8 October 2008 Kinsella, Eileen, ‘Back in the Spotlight’, in: Artnews, November 2008 Kung, Michelle, ‘Being Mary Heilmann’, in: Wall Street Journal Magazine, 21 October 2008 Pym, William, ‘Something About mary’, on: www.artforum.com, 27 October 2008 Sheets, Hilarie M., ‘The Sardine Factor’, in: Artnews, November 2008 Stein, Jesse, ‘Soft Geometry: Review’, in: F Newsmagazine: School of the Art Institute of Chicago, Chicago, 29 September 2008 Smith, Roberta, ‘Art in Review’, in: The New York Times, New York, 8 August 2008 Taylor, Alex, ‘Mary Heilmann, Super-Cool-Painter, Has Big Show at New Museum, in: The New York Observer, 24 October 2008 Verwoert, Jan, ‘Ohne Ödipus’, in: Parkett No. 82 2008 Volk, Gregory, ‘Spring in Dystopia’, in: Art in America, May 2008 Wiley, Chris, ‘The Office: Mary Heilmann’, in: Abitare, October 2008 Yablonsky, Linda, ‘Pier-to-Peer’, on: www.artforum.com, 28 March 2008 Verwoert, Jan, ‘Ohne Ödipus, in: Parkett, No. 82, 2008

Finkel, Jori, ‘‘Rosebud’, ‘Lola’, and the ‘Jack of Hearts’‘, in: ARTnews, New York NY, December 2007, pp. 132-135, ill.

Subotnick, Ali, ‘Best of 2007’, in: Art Forum, December 2007, p. 336

Wagner, Anne M., ‘Field Trips’, in: Art Forum, November 2007, p. 306 [cover image]

Goldstein, Ann, ‘Ann Goldstein / Mary Heilmann: to Be Someone’, in: Artforum, New York NY, December 2007, pp. 318-319, ill.

Subotnick, Ali, ‘Mary Heilmann: To Be Someone’, in: Artforum, New York NY, Best of 2007, December 2007, pp. 336-337, ill.

Wood, Tria, ‘All About Mary’, in: Artshouston, November 2007, p.18

Kalm, James, ‘Signs and Omens: A Reading’, in: The Brooklyn Rail, Brooklyn NY, December 2007-January 2008, p. 63

Plagens, Peter, ‘Mary Heilmann: coloring Outside the Lines’, in: Art in America, New York NY, November 2007, p. 170, cover image

Wood, Tria, ‘All About Mary’, in: Artshouston, Houston TX, November 2007, p. 18

Wagner, Anne M., ‘Field Trips’, in: Artforum, New York NY, vol. XLVI, no. 3, November 2007, pp. 306-313, ill.

Plagens, Peter, ‘Mary Heilmann: Coloring Outside the Lines’, in: Art in America, New York NY, No. 10, November, 2007, pp. 170-175, ill.

___, ‘Signs and Wonders’, in: Artforum, New York NY, vol. XLVI, no. 3, November 2007, pp. 314-317, ill.

Anderson, Virginia Billeaud, ‘Go ask Mary about abstract art’, in: Greater Houston Weekly, Houston TX, 31 October 2007, ill.

Saltz, Jerry, ‘The Artists Who Still Matter’, in: New York NY, 15 October 2007, pp. 40-41

Rubinstein, Raphael, ‘It’s Not Made by Great Men’, in: Art in America, New York NY, September 2007, p. 61

Smith, Roberta, ‘It’s Just Clay but How About a Little Respect? ‘, in: The New York Times, New York NY, 7 September 2007

Pagel, David, ‘Kristin Calabrese show at Honor Fraser Gallery Invites the Imagination into Action’, in: The Los Angeles Times, Los Angeles LA, 31 August 2007

Butter, Tom, ‘Mary Heilmann Interview’, on: whitehotmagazine.com, St. Victoria BC, September 2007

Burton, Johanna, ‘After the mermaids’, in: Texte zur Kunst, Berlin, no. 67, September 2007, pp. 191-195 (eng.), pp. 295-301 (ger.)

Kazanjian, Dodie, ‘in living color’, in: Vogue US, New York NY, August 2007, p. 232-239, 277-278

Drohojowska-Philp, Hunter, ‘Finally, Somebody’, in: artnet Magazine, New York NY, August 2007

Falconer, Morgan, ‘High Times, Hard Times’, in: Frieze, London, June-July 2007, p. 253

Mueller, Stephen, ‘Quitidian and Enggaging: David Zwirner Group Show of Living and Dead is July’s Best’, in: Gay City News, New York NY, 12-18 July 2007, p. 17

Smith, Roberta, ‘A Point in Space Is A Place for an Argument’, in: The New York Times, New York NY, 20 July 2007

Armetta, Amoreen, ‘Three for Society’, in: Time Out New York, New York NY, 5-11 July 2007, p. 77

Cotter, Holland, ‘The Week Ahead’, in: The New York Times, 10 June 2007

Knight, Christopher, ‘Life of the abstractionist party’, in: Los Angeles Times, Los Angeles LA, 3 June 2007

Chang, Richard, ‘Something about Mary’, in: Orange County Register, Santa Ana CA, 3 June 2007

Chin, Jit Fong, ‘Mary, Mary Quite Contrary’, in: Squeeze OC, 1 June 2007

Smith, Roberta, ‘The Week Ahead’, in: The New York Times, New York NY, 13 May 2007

Mendenhall, Lauri, ‘Variations on a Theme’, in: Coast Magazine, Santa Ana CA, May 2007, p. 162

Feher, Erin, ‘The Best in Art, Auctions and Gallery Openings’, in: California Home and Design, May, 2007

Griley, Ellen, ‘Mother’s Little Helper’, in: District, 25 May 2007

Mendenhall, Lauri, ‘Variations on a Theme’, in: Coast Magazine, May, 2007, p. 162

Norden, Linda, ‘Mary Heilmann’, in: Art Forum, May, 2007

Rogers, Mike, ‘Mary Heilmann’, in: Art US, Summer 2007

Landes, Jennifer, ‘Artists Chase Inspiration: Philosopher, psychologist join artists for discussion’, in: The East Hampton Star, East Hampton NY, 26 April 2007

LaRocco, Ben, ‘High Times Hard Times: New York Painting 1967-1975’, in: The Brooklyn Rail, New York NY, March 2007

Goleas, Janet M, ‘The Raw Nerve of Art in the Sixties’, in: The East Hampton Star, East Hamtpon NY, 22 March 2007, p. C1

Myers, Terry R., ‘Heil Mary’, in: Modern Painters, New York NY, April 2007, pp. 74-79

Dumbadze, Alexander, ‘Making it look easy’, in: Modern Painters, New York NY, April 2007, pp. 80-83

Richard, Frances, High Times, Hard Times: New York Painting 1967-1975, in: Artforum, New York NY, vol. XLV, no. 8, April 2007, p. 265

Yablonsky, Linda, ‘Hail Mary’, on: Artforum.com, 26 March, 2007

Smith, Roberta, ‘Painting in the Heady Days, After It Was Proclaimed Dead’, on: nytimes.com, New York NY, 16 February 2007

Cohen, David, ‘Painting when Painting was Dead’, in: The Sun, New York NY, 15 February 2007

Sachs Samet, Jennifer, ‘Rewriting Recent Art History’, in: The Sun, New York NY, 6 February 2007

Bui, Pong, ‘Katy Siegel and David Reed’, in: The Brooklyn Rail, New York NY, February 2007

Heffley, Lynne, ‘Mary Heilmann’, in: The Los Angeles Times, Los Angeles LA, 28 December 2006

Dumbadze, Alexander, ‘High Times Hard Times: New York Paintings 1967-1975’, in: Modern Painters, October 2006, p. 101

Herstatt, Claudia, ‘Karaoke im Arbeiterviertel’, in: Der Tagesspiegel, Berlin, no. 19 306, 9 September 2006, p. 24

___, ‘Mary Heilmann’, in: Art in America, New York NY, Annual 2006-2007, August 2006, p. 45

___, ‘Mary Heilman’, In: Sonntags Zeitung, Zurich, 27 August 2006, p. 49 Colman, David, ‘Mary Heilmann’, in: Elle Décor, June 2006

Spears, Dorothy, ‘Artists under the Influence’, in: Art and Antiques 29, Summer 2006, pp. 86–93

Falconer, Morgan, ‘Show business’, in: Art Review, London, vol. IX, January 2006, pp. 64-81

___, ‘Hauser & Wirth, Zürich, London’, in: Weltkunst, München, no. 14, December 2005, p. 18

Fyfe, Joe, ‘Mary Heilmann at 303’, in: Art in America, New York NY, no. 6, June-July 2005, pp. 177-178

Burton, Johanna, ‘Mary Heilmann: 303 Gallery’, in: Artforum, New York NY, vol. XLIII, no. 9, May 2005, p. 246

Yablonsky, Linda, ‘What makes a painting a painting?’, in: Artnews, New York NY, vol. 104, no. 4, April 2005, pp. 96-101

CKH, ‘Post Modern. Greene Naftali (Preview)’, in: Modern Painters, London, March 2005, p. 98

___, ‘Review’, in: New Yorker, 21 March 2005 Stern, Steven, ‘Mary Heilmann’, in: Absolut 1, March 2005, pp. 94–97

___, ‘Survey: Which artists from the past decades still assert a great influence on the art of today?’, in: Tema Celeste, Milan, no. 100, November-December 2004, pp. 58-63

Schütte, Christoph, ‘Himbeer auf grüner Leinwand’, in: Frankfurter Allgemeine Zeitung, Frankfurt, 11 November 2004

Goodbody, Bridget L: ‘Jenseits des Rasters. Die Malereien der Mary Heilmann / Off The Grid. The Paintings of Mary Heilmann’, in: Spike, Vienna, no. 1, October 2004, pp. 66 – 7

___, ‘Art in Paradise’, in: Avenue, July 2004, pp. 45–64

Jones, Dafydd, ‘Party: Hauser & Wirth Paintings by Mary Heilmann Attracted London’s Art Glitterati’, in: Art Review, March 2004, p. 114

Sheets, Hilariem, ‘Of Voices and No Comments’, in: New York Times, 28 March 2004

Herbert, Martin, ‘Mary Heilmann. Hauser & Wirth West End’, in: Time Out, London, 11-18 February 2004, p. 53

Grzonka, Patricia, ‘Mary Heilmann in der Secession’, in: Kunst-Bulletin, Zurich, no. 9, September 2003, p.58

___, ‘Kunst’, in: Falter, Vienna, 5 September 2003

___, ‘Mary Heilmann: All Tomorrow’s Parties’, in: Pharma Time, Vienna, August 2003

Jäger, Susanne, ‘Der Triumph des Dilettantismus’, in: Voralberger Nachrichten, Schwarzach, 23 August 2003

Borchhardt-Birbaumer, Brigitte, ‘Fragen von Abstraktion, Repräsentation und Psyche’, in: Wiener Zeitung, Vienna, 19 August 2003

Melchart, Erwin, ‘Abstrakt, surreal und goldenes Stroh’, in: Kronen Zeitung Wien, Vienna, 5 August 2003

Scheyerer, Nicole, ‘Heiterkeit gegen Heroen’, in: Falter, Vienna, no. 29, 18-24 July 2003, p. 57

Probst, Ursula Maria, ‘Es darf getanzt werden’, in: artmagazine, Vienna, 17 July 2003

Horny, Henriette, ‘Stroh-Kunst-Vitrinen und Partystimmung’, in: Kurier, Vienna, 16 July 2003

Krumpl, Doris, ‘Abstrakte Malerei, remixed’, in: Der Standard, Vienna, 4 July 2003, p. 26

Spiegler, Almuth, ‘Goldenes Stroh für alle Parties’, in: Die Presse, Vienna, 4 July 200.

___, ‘Kunst’, in: Falter, Vienna, no. 27, 4 July 2003

___, ‘Sendung: Kulturjournal’, on: TV Channel ö 1, Vienna, 3 July 2003

König, Kaspar, ‘Gespräch mit Mary Heilmann’, on: mip.at, Museum in Progress, Vienna, May 2003

___, ‘There she goes again: Mary Heilmann is drug-fuelled early years giving way to her’, in: Sunday Times, London, 4 May 2003

___, ‘Mary Heilmann at Douglas Hyde Gallery’, in: In Dublin, Dublin, April-May 2003, p. 56

Dunne, Aidan, ‘A promiscuous mixing of styles’, in: The Irish Times, Dublin, 16 April 2003

___, ‘Abstract Tyranny’, in: The Dubliner, Dublin, 2003, p. 30

___, ‘Mary Heilmann’, in: The New Yorker, New York NY, 11 November 2002

___, ‘The House of Fiction’, in: Anzeiger von Uster, Uster, 6 May 2002, p. 21

Prinzhorn, Martin, ‘Images as the Symptoms of Painting: The Antitotalitarianism of Mary Heilmann’, in: Afterall, A Journal of Art, Context and Enquiry, London, issue 05, 2002, pp. 48-57

Myers, Terry R., ‘Love Action: Mary Heilmann and the joy of painting’, in: Afterall, A Journal of Art, Context and Enquiry, London, issue 05, 2002, pp. 58-63

___, ‘Von Gehr bis Zelli, Böcklin bis Gelatin’, in: St.Galler Tagblatt, St. Gall, 29 December 2001, p. 41

Spinelli, Claudia, ‘Ohne falsche Scham’, in: Neue Zürcher Zeitung, Zurich, no. 268, 17-18 November 2001, p. 46

___, ‘Galerie Hauser & Wirth’, in: Handelszeitung, Zurich, no. 46, 14 November 2001, p. 29

Ruyter, Lisa, ‘Top Ten’, in: Artforum International, New York NY, vol. XL, no. 1, September 2001, p. 48

Higgie, Jennifer, ‘Mary Heilmann. Camden Arts Centre’, in: Frieze, London, vol. 60, June -July 2001, p. 106

Scheyerer, Nicole, ‘Kunst kurz’, in: Falter, Vienna, no. 22, May 2001, p. 64

‘Mary Heilmann London’, in: The Guardian Guide, Art previews, London, 31 March -6 April, 2001

Clark, Paul, ‘Going out’, in: Evening Standard, London, 5 April, 2001, ill.

___, ‘Mary Heilmann’, in: Time Out Magazine, Art Previews, London, 11-13 April 2001, 2001

Searle, Adrian, ‘Excess all areas’, in: The Guardian Newspaper, London, 10 April 2001, p. 12 – 13

Coomer, Martin, ‘Mary Heilmann, Camden Arts Centre’, in: Time Out, London, 25 April-2 May 2001, p. 54

Koether, Jutta, ‘Pat Hearn, NYC (1955-2000)’, in: Texte zur Kunst, Berlin, vol. 11, no. 41, March 2001, p. 200-202

Herstatt, Claudia, ‘Galerienszene Hamburg. Die junge Kunst holt auf’, in: Handelsblatt, Düsseldorf, no. 57, 21 March 2001, p. 58

___, ‘Contributors’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, p. 18, ill.

Heilmann, Mary, ‘O Pioneer! Mary Heilmann on Pat Hearn’, in: Artforum, New York NY, vol. XXXIX, no. 6, February 2001, pp. 35-36

Pühringer, Alexander, ‘Zwischen nichts und allem ist es nicht weit’, in: Frame, Vienna, no. 5, January- February 2001, p. 104-107

Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Linth Zeitung, Rapperswil, 31 May 2000, p. 25

Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: Sihltaler, Adliswil, 31 May 2000, p. 25

Kraft, Martin, ‘Ein Klima, sehr unterschiedliche Positionen’, in: March Höfe Zeitung, Lachen, 31 May 2000, p. 25

Kraft, Martin, ‘Mary Heilmann im Kunstmuseum’, in: Der Landbote, Winterthur, 26 May 2000, p. 21

___, ‘Komplexe Farbigkeit’, in: St.Galler Nachrichten, St.Gall, 11 May 2000, p. 30

Hoffmann, Gabriele, ‘Ytong-Stein in Legoland’, in: Tageszeitung, Berlin, 2 May 2000, p. 14

Engler, Martin, ‘Materialwirbel mit Shakespeare’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 96, 25 April 2000, p.54

___, ‘Zwei Amerikanerinnen in St.Gallen’, in: Zürichsee-Zeitung, Zurich, 22 April 2000, p. 19

___, ‘Inhalt erlaubt: Mary Heilmann in St.Gallen’, in: Vorarlberger Nachrichten, Bregenz, 8-9 April 2000, p. D7

Pichler, Karlheinz, ‘Wenn Vorstellungskraft und Material zum Stelldichein bitten’, in: Kultur, April 2000, pp. 30-31

___, ‘Jessica Stockholder. Mary Heilmann’, in: Schweizer Monatshefte, Zurich, April 2000, p. 55

Wäspe, Roland, ‘New York, New York. Jessica Stockholder und Mary Heilmann im Kunstmuseum St. Gallen’, in: Saiten, St. Gall, vol. 7, no. 73, April 2000, pp. 62-63

Badrutt Schoch, Ursula, ‘Strassen und Frühlingsrollen. Mary Heilmanns Malerei im Kunstmuseum St. Gallen’, in: Bodensee Tagblatt, Arbon, 31 March 2000, p. 22

Schaufelberger, Peter E., ‘Dem Gebrauchswert entrückt’, in: Südkurier, Konstanz, no. 71, 25 March 2000

Basting, Barbara, ‘Landschaft mit Parkbank und Duplosteinen’, in: Zürcher Tages-Anzeiger, Zurich, 25 March 2000, p. 55

___, ‘Freundschaftlich gegensätzlich’, in: Der Landbote, Winterthur, 22 March 2000, p. 21

___, in: Appenzeller Zeitung, Herisau, 17 March 2000, p. 57

___, in: St. Galler Tagblatt, Gossau, 17 March 2000, p. 49

___, ‘Jessica Stockholder und Mary Heilmann im Kunstmuseum’, in: News the blue window, Zurich, 17 March 2000, p. 1

Jerichow, Regina, ‘Spielerischer Sieg über die Strenge’, in: Nordwest-Zeitung, 16 March 2000

___, in: Nordwest-Zeitung, 13 March 2000 Schicke, Sabine, ‘Als Rebellin in der Malerei Farbe bekannt’, in: Nordwest-Zeitung, 11 March 2000

Mark, Magill, ‘Mary Heilmann’, in: Punkt. Kunst im Nordwesten, Bremen: Der Kunstverein in Bremen, no. 1, March 2000, p. 26

___, ‘Schweizer Ausstellungen. Experimentelle Einfachheit’, in: Neue Zürcher Zeitung, Zurich, no. 77, March 2000, p. 66

Casadio, Mariuccia, ‘Decopainting’, in: Vogue Italia, Milan, no. 595, March 2000

Molinari, Guido, in: Flash Art, Milan, vol. XXXIII, no. 220, February-March 2000

Miretti, Monica, ‘Marabini e la affinità elettive’, in: La pagina dell’Arte, 25 November 1999

___, in: Vogue Italia, Milan, Supplement to no. 591, November 1999

Maurer, Simon, ‘Neugier’, in: Züritipp, Zurich: TA-Media AG, Zurich, 9 April 1999

Bleckner, Ross, ‘Mary Heilmann’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 67, Spring 1999, pp. 56-63

Koestenbaum, Wayne, ‘The Best of 1998’, in: Artforum, New York NY, vol. XXXVII, no. 4, December 1998, pp. 100-101

Davis, Whitney, ‘Männerphantasien’, in: Texte zur Kunst, Cologne, vol. 8, no. 31, September 1998, pp. 72-81

___, in: The New Yorker, New York NY, 13 April 1998

Johnson, Ken, ‘Mary Heilmann’ (review Pat Hearn Gallery), in: The New York Times (Art Guide), New York NY, vol. CXLVII, no. 51,123, 10 April 1998, p. E40

Schwendener, Martha, ‘Mary Heilmann’, in: Time Out New York, New York NY, no. 133, 9-16 April 1998

Pedersen, Victoria, ‘Gallery Go `Round: Short List’, Paper Magazine, April 1998

Levin, Kim, Voice Choices: ‘Mary Heilmann’, in: The Village Voice, New York NY, vol. XLIIII, no. 13, 25 March-31 March, 1998, p. 86

Johnson, Ken, ‘Mary Heilmann’, in: The New York Times, New York NY, vol. CXLVII, no. 51,109, 27 March 1998, p. E39

Schjeldahl, Peter, ‘Mary Rebop’ (review Pat Hearn Gallery), in: The Village Voice, New York NY, vol. XLIII, no. 12, 18 March-24 March, 1998, p. 133

De Pont stichting voor hedendaagse kunst (ed.), ‘De Pont. the colllectie’, Tilburg: De Pont, 1998, pp. 100-102

Reust, Hans Rudolf, ‘Mary Heilmann’, in: Artforum, New York NY, vol. XXXVI, no. 4, December 1997, p. 126

Hickey, David, ‘Top Tex X 12’, in: Artforum, New York NY, vol. XXXVI, no. 4, December 1997, p. 89

Myers, Terry R., ‘Mary Heilmann at Richard Telles’, in: LA Weekly, Los Angeles LA, vol. 19, no. 49, 31 October–6 November, 1997, p. 51

Pagel, David, ‘A Decisive Collection That’s the Picture of Ease’, in: Los Angeles Times, Los Angeles LA, 17 October 1997, p. F30

Heilmann, Mary: ‘Biographie’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, Autumn 1997, p. 136-138

Westfall, Stephen: ‘Motifs de sensibilité’, in: Pratiques. Reflexion sur l‘ art. Rennes: Presses Universitaires de Rennes, no. 3/4, Autumn 1997, p. 139-145

___, ‘Space Craft’, in: Interview Magazine, August 1997, pp. 114-115

Imdahl, Georg, ‘Die das Blau zum Glühen bringt. Konkrete Kunst voll Charme und Temperament: Die amerikanische Malerin Mary Heilmann in Zürich’, in: Frankfurter Allgemeine Zeitung, Frankfurt, no. 158/28D, 11 July 1997, p. 36

VN-kapi, ‘Vor saftiger Vitalität strotzend. Arbeiten von Mary Heilmann im Zürcher Haus für konstruktive und konkrete Kunst’, in: Vorarlberger Nachrichten, Bregenz, 28 June 1997, p. 72

Zwez, Annelise, ‘Mit Lust wider die strenge Geometrie’, in: Schaffhauser Nachrichten, Schaffhausen, 20 June 1997, p. 13

afk, ‘This and that. Mary Heilmann im Haus für konstruktive und konkrete Kunst’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 139, 19 June 1997, p. 54

___, ‘Mary Heilmann in Zürich’, in: Cash, Zurich, 13 June 1997, p. 61 (Zürcher Wochenkalender), in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 125, 6 June 1997, p. 87

sfd, ‘Zürich: Mary Heilmanns anarchische Geometrie’, in: Der Landbote, Winterthur, 5 June 1997, p. 17

Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Aargauer Zeitung, Baden, 3 June 1997, p. 57

Zwez, Annelise, ‘Vital. die erste europäische Museumsausstellung von Mary Heilmann in Zürich. Mit dem Gestus subversiver Lust wider die Strenge der Geometrie’, in: Limmattaler Tagblatt, Dietikon, 3 June 1997, p. 27

Maurer, Simon, ‘Gepunkteter Likör, naturhaft komponiert. Mary Heilmann in Zürich’, in: Tages-Anzeiger, Zurich: TA Media AG, vol. 105, no. 124, 2 June 1997, p. 63

sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Anzeiger von Uster, Uster, 2 June 1997, p. 21

sfd, ‘Hollywood, Poesie und Jazz von Mary Heilmann. Im Zürcher Haus für konstruktive und konkrete Kunst’, in: Der Zürcher Oberländer, Wetzikon, 2 June 1997, p. 21

___, ‘Abstrakte Sprache’, in: Annabelle, Zurich, no. 10, 16 May 1997, p. 19

Kurjakovic, Daniel, ‘Herzergreifende Abstraktion. Malerei von Mary Heilmann und Juan Uslé in Zürich’, in: Neue Zürcher Zeitung, Zurich: NZZ Verlag, vol. 218, no. 109, 14 May 1997, p. 54

___, ‘Mary Heilmann in der Galerie Hauser & Wirth und in der Stiftung für konstruktive und konkrete Kunst’, in: Kunst-Bulletin, Zurich, no. 5, May 1997, p. 50

Cotter, Holland, ‘The Flying Saucer Project’, in: The New York Times, New York NY, vol. CXLVI, no. 50,654, 27 December 1996, p. A27

Goodrow, Gérard A., ‘Painting I and II’, in: ARTnews, New York NY, vol. 95, no. 8, September 1996, p. 142

Smith, Roberta, ‘The Gallery Doors Open to the Long Denied’, in: The New York Times, New York NY, vol. CXLV, no. 50’439, 26 May 1996, Sec2, pp. 1, 29

Smith, Roberta, ‘ ‘Screen‘: Petzel Gallery’, in: The New York Times, New York NY, vol. CXLV, no. 50,325, 2 February 1996, p. C26

Hucko, Leslie, ‘Clothing with Culture. Cristenerose Gallery’, in: I.D. Industrial Design Magazine, New York NY, vol. 43, no. 1, January-February 1996

Pagel, David, ‘Mary Heilmann & Elizabeth Cannon: Cristinerose New York’, in: Frieze, London, no. 26, January-February 1996, p. 74-75

Smith, Roberta, ’2 Shows as Bookends to the Mondrian Exhibition’, in: The New York Times, New York NY, vol. CXLV, no. 50,262, 1 December 1995, p. C30

Humphrey, David, ‘New York Fax’, in: Art Issues, Los Angeles LA, no. 40, November-December 1995, pp. 30-31

Smith, Roberta, ‘Heading West, with Canvases’, in: The New York Times, New York NY, vol. CXLV, no. 50,248, 17 November 1995, p. C28

Feldman, Melissa, ‘Painting Supports my Ceramics Habit’, in: Women’s Art Magazine, November 1995, pp. 12-13

Yablonsky, Linda, ‘Mary Heilmann at Pat Hearn Gallery’, in: Time Out, New York NY, no. 3, 11-18

October 1995 Doove, Edith, ‘Mary Heilmann – Zeno X, Antwerpen’, in: Metropolis M, Amsterdam, no. 3, May-June 1995, pp. 48-49

Doove, Edith, ‘Mary Heilmann: De Rechte is Krom’, in: Urudag, 5 May 1995

Doove, Edith, ‘Mary Heilmann. De Techte is Krom’, in: Artsenkrant, no. 863, May 5, 1995

Lambrecht, Luk, ‘Een Feest Met Gekleurde Ballen’, in: De Morgen, Brussel, 25 April 1995

Avgikos, Jan, ‘In With the Out Crowd’ (review Whitney Biennial), in: Artforum, New York NY, vol. XXXIII, no. 7, March 1995, pp. 12

Goldberger, Paul, ‘The Next 15 Minutes in Art are in His Hands’, in: The New York Times Magazine, New York NY, 25 February 1995

van Siclen, Bill, ‘Geometric Art Crosses the Line of Convention’, in: The Providence Journal Bulletin, Weekend Section: Lifebeat, 10 February 1995

Breen, Allison, ‘Toward the Real. New Abstraction in America’, in: Vytvarne Umeni, Prague, no. 1, January-February 1995, pp. 163-172

Steletz, Werner, ‘Wo Flächen und Farben irritieren’, in: WOZ, Zurich, no. 245, 20 October 1994

Schmidt, Konrad, ‘Geometrie und Leben’, in: Ruhr Nachrichten, Dortmund, 20 October 1994

Schmidt, Konrad, ‘Quadrate und Punkte ergänzen sich im Spiel der Elemente’, in: Ruhr Nachrichten, Dortmund, 15 October 1994

Joselit, David, ‘Mary Heilmann. Embodied Grids’, in: Flash Art, Milan, vol. XXVII, no. 178, October 1994, pp. 69-71

Cover Donohoe, Victoria, ‘Painting and Ceramics by Mary Heilmann at Beaver College’, in: The Philadelphia Inquirer, 25 September 1994

Rosenthal, Mark, ‘Critique of Pure Abstraction. Mary Heilmann’, in: Atelia International, no. 810, August 1994, pp. 86-87

Denton, Monroe, ‘Mary Heilmann’s Greatest Hits’, in: Arti, Art Today, Athens, vol. 20, May-July 1994, pp. 140-149

___, ‘Soft Geometry’, in: The New Yorker, New York NY, vol. 70, no. 13, 16 May 1994, p. 20

Cotter, Holland, ‘‘Greatest Hits’‘ (review Pat Hearn Gallery), The New York Times, New York NY, vol. CXLIII, no. 49,695, 13 May 1994, p. C26

Schwabsky, Barry, ‘Mary Heilmann’, in: American Ceramics, New York NY, vol. 11, no. 2, Spring 1994, pp. 34-39

Avgikos, Jan, ‘The Humpty Dumpty Dilemma: The Broken Mirror and American Art in the 20th Century’, in: Artforum, New York NY, vol. XXXII, no. 3, November 1993, pp. 85-86, 131

Kuspit, Donald, ‘Neo-News is No News: The Broken Mirror’, in: Artforum, New York NY, vol. XXXII, no. 3, November 1993, pp. 87-88, 131

1Westfall, Stephen, ‘Patterns of Sensibility’, in: Art in America, New York NY, vol. 81, no. 11, November 1993

Pagel, David, ‘Strange Bedfellows’, in: The Los Angeles Times, Los Angeles LA, November 1993

Dannat, Adrian, ‘Spotlight: The Broken Mirror’, in: Flash Art, Milan, vol. XXVI, no. 172, October 1993

Searle, Adrian, ‘The Broken Mirror‘, in: Frieze, London, no. 12, September-October 1993

___, ‘Cherchez La Femme Peintre’ (inquiry), in: Parkett, Zurich: Parkett-Verlag, no. 37, September 1993, pp. 127-128, 138-139

Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVIII, no. 21, 19-25 May 1993, p. 67

Myers, Terry, in: Art Issues, Los Angeles LA, Spring 1993

Myers, Terry, ‘Mary Heilmann, Jack Pierson, Jessica Stockholder. Pat Hearn’, in: Flash Art, Milan, vol. XXV, no. 167, November-December 1992, p. 98-99

___, ‘Goings On About Time’, in: The New Yorker, New York NY, 12 October 1992

Stockholder, Jessica, ‘In the Studio: Mary Heilmann’, in: Artforum, New York NY, vol. XXXI, no. 1, September 1992, pp. 76-77

___, ‘The Question of Gender in Art’ (inquiry), in: Tema Celeste, Syracuse/IT, no. 37-38, special issue, Autumn 1992, p. 63

Cotter, Holland, in: New York Times, New York NY, 26 June 1992

Murphy, Mary, ‘Consciousness in the Abstract’, in: New York Examiner, New York NY, June 1992

Liebmann, Lisa, ‘Slow Art at P.S.1’, in: Interview, May 1992

Tager, Alisa, ‘Colors’, in: Lapiz, Madrid, October 1991

Myles, Eileen, ‘Mary Heilmann at Pat Hearn’, in: Art in America, New York NY, vol. 79, no. 10, pp. 147-148

Weinstein, Matthew, ‘Mary Heilmann – Pat Hearn Gallery’, in: Artforum, New York NY, vol. XXX, no. 1, September 1991, pp. 127-128

Kaneda, Shirley, ‘Painting and Its Others. In the Realm of the Feminine’, in: Artforum, New York NY, vol. XXIX, no. 10, Summer 1991

___, ‘Goings On About Town’, in: The New Yorker, New York NY, 13 May 1991

Levin, Kim, ‘Voice Choices: Mary Heilmann’, in: The Village Voice, New York NY, vol. XXXVI, no. 19, 1-7 May 1991, p. 95

Pagel, David, ‘The Ends of Painting. The Edgess of Abstraction’, in: Artspace, Albuquerque, January-February 1991

Schmidt, Eva, ‘Mary Heilmann, Jessica Stockholder’, in: Kunstforum International, Ruppichteroth, no. 111, January-February 1991, pp. 359-360

Yood, James, ‘Mary Heilmann. Robbin Lockett Gallery’, in: Artforum, New York NY, vol. XXIX, no. 1, September 1990, p. 164

Schwabsky, Barry, ‘Mary Heilmann’, in: Arts Magazine, New York NY, vol. 65, no. 1, September 1990, p. 84

Artner, Alan, in: Chicago Tribune, Chicago CA, 27 April 1990

Temin, Christine, ‘Abstraction That Screams’, The Boston Globe, Boston MA, 25 April 1990

Enders, Alexandra, in: Art & Antiques, New York NY, April 1990

Carrier, David, ‘Abstract Working Spaces’, in: Art International, Paris, no. 10, Spring 1990, p. 68-70

Baker, Kenneth, in: The San Francisco Chronicle, San Francisco CA, 1 February 1990 Myers, Terry, in: Flash Art, Milan, January 1990

Stapen, Nancy, in: The Boston Herald, Boston MA, 17 December 1989

Zimmer, William, ‘Geometry. Sometimes Garish’, in: The New York Times (New Jersey Edition), New York NY, 10 December 1989

McCoy, Pat, ‘A Modern Lexicon. The Work of Mary Heilmann’, in: Arts Magazine, New York NY, vol. 64, no. 3, November 1989, pp. 48-51

Ettlinger, Catherine, ‘High color’ (only illustration), in: American Home, New York NY, Fall/Winter 1989, pp. 90-91

Yau, John, ‘Official Policy. Toward the 1990s with the Whitney Biennial’, in: Arts Magazine, New York NY, vol. 64, no. 1, September 1989, pp. 50-54

Smith, Roberta, ‘Arte Povera Installations: Engineering and Alchemy’, in: The New York Times, New York NY, vol. CXXXVII, no. 47,511, 20 May 1988, p. C25 (illustration), in: Bijutsu Techo, Tokyo, vol. 40, no. 592, March 1988, p. 85

Spector, Nancy, in: Artscribe International, London, January 1988

Wei, Lilly, ‘Talking Abstract’, in: Art im America, New York New York, July 1987

Goldberg, Sally, in: ARTnews, New York NY, February 1987

Leibmann, Lisa, M.B.A. ‘Abstractionism’, in: Flash Art, Milan, January 1987

Yau, John, ‘Mary Heilmann. Pat Hearn Gallery ‘, in: Artforum, New York NY, vol. XXV, no. 5, January 1987, p. 109

Westfall, Stephen, in: Art in America, New York NY, December 1986

Zimmer, William, ‘A Rarefied Atmosphere in the Feisty East Village’, in: The New York Times, New York NY, vol. CXXXVI, no. 46,951, 7 November 1986, p. C27

Castle,Ted, in: Art in America, New York NY, April 1984

Armstrong, Richard, ‘Donald Judd, Blum Helman Gallery; Mary Heilmann, the Clocktower’ (review), in: Artforum, New York NY, vol. XXII, no. 7, March 1984, pp. 90-91

Raynor, Vivian, ‘Forms That Function’, in: The New York Times, New York NY, 1984

___, ‘Mary Heilmann. Artist’s Project’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 8, 1983

___, ‘Un Tour d’Horizon’, in: Bomb. The Arts and Culture Quarterly, New York NY, no. 4, 1982 (Guest Editor: Mary Heilmann)

Larson, Kay, ‘Can You Hear the Music?’, in: Village Voice, New York NY, October 1979

Frankenstein, A., in: San Francisco Chronicle, San Francisco CA, December 1977

Dobson, Donna, ‘Gallery Round Up’, in: The Bulletin, November 1977

___, in: Art in America, New York NY, October 1976 Salle, David, in: Arts Magazine, New York NY, December 1976

Zucker, Barbara, in: ARTnews, New York NY, November 1976

Perrault, John, ‘Women Ain’t Losers’, in: SoHo Weekly News, New York NY, September 1976

Forgey, Benjamin, in: Washington Star, Washington DC, April 1973

___, in: ARTnews, New York NY, Summer 1972 Elderfield, John, ‘Grids’, in: Artforum, New York NY, May 1972

Arinomis, in: Arts Magazine, New York NY, May 1971 Ratcliffe, Carter, in: ARTnews, New York NY, March 1971

Linville, Kasha, in: Artforum, New York NY, December 1970

Glueck, Grace, in: The New York Times, New York NY, November 1970